Aelodau’r pwyllgor yn bresennol
Committee members
in attendance
|
Peter Black
|
Democratiaid Rhyddfrydol Cymru Welsh Liberal
Democrats
|
Christine Chapman
|
Llafur
(Cadeirydd y Pwyllgor) Labour (Committee
Chair)
|
Alun Davies
|
Llafur
Labour
|
Janet Finch-Saunders
|
Ceidwadwyr Cymreig Welsh
Conservatives
|
John Griffiths
|
Llafur (yn dirprwyo ar ran Gwenda Thomas)
Labour (substitute for Gwenda Thomas)
|
Mike Hedges
|
Llafur Labour
|
Mark Isherwood
|
Ceidwadwyr Cymru Welsh
Conservatives
|
Bethan Jenkins
|
Plaid Cymru (yn dirprwyo ar ran Jocelyn Davies)
The Party of Wales (substitute for Jocelyn Davies)
|
Gwyn R. Price
|
Llafur Labour
|
Rhodri Glyn Thomas
|
Plaid Cymru The Party of
Wales
|
Eraill yn bresennol Others in
attendance
|
Dr John Geraint
|
Green
Bay Media
|
Angela Graham
|
Sefydliad Materion
Cymreig
Institute of Welsh Affairs (IWA)
|
Natasha Hale
|
Dirprwy
Gyfarwyddwr Sectorau a Busnes, Llywodraeth Cymru
Deputy Director of Sectors and Business, Welsh
Government
|
Dr Ruth McElroy
|
Prifysgol De
Cymru
University of South Wales
|
Yr Athro/Professor Tom O’Malley
|
Prifysgol Aberystwyth
Aberystwyth University
|
Kenneth Skates
|
Aelod Cynulliad, Llafur (y Dirprwy Weinidog Diwylliant,
Chwaraeon a Thwristiaeth)
Assembly Member, Labour (Deputy Minister for Culture, Sport and
Tourism)
|
Swyddogion Cynulliad Cenedlaethol Cymru yn
bresennol National Assembly
for Wales officials in attendance
|
Sarah Beasley
|
Clerc
Clerk
|
Sarah Sargent
|
Dirprwy
Glerc
Deputy Clerk
|
Robin Wilkinson
|
Y Gwasanaeth
Ymchwil
Research Service
|
Dechreuodd y cyfarfod am 09:00.
The
meeting began at 09:00.
|
Cyflwyniad, Ymddiheuriadau, Dirprwyon a Datganiadau o
Fuddiant
Introductions, Apologies, Substitutions and Declarations
|
[1]
Christine
Chapman: Good morning,
everyone. Welcome to the Communities, Equality and Local Government
Committee. We’ve had apologies this morning from Gwenda
Thomas, and John Griffiths is attending in her place. So, welcome
again, John. We’ve also had apologies from Jocelyn Davies,
and Bethan Jenkins is attending. So, again, welcome,
Bethan.
|
09:01
|
Ymchwiliad i’r Adolygiad o Siarter y BBC: Sesiwn
Dystiolaeth 5—
Y Dirprwy Weinidog Diwylliant, Chwaraeon a
Thwristiaeth
Inquiry into the BBC Charter Review: Evidence Session
5—Deputy Minister for Culture, Sport and Tourism
|
[2]
Christine
Chapman: The first item
today is a continuation of our inquiry into the BBC charter review.
This is evidence session 5, and I would like to welcome Ken Skates,
Deputy Minister for Culture, Sport and Tourism, and also Natasha
Hale, deputy director of sectors and business, Welsh Government.
So, welcome, Minister and Natasha. Obviously, the Members will have
seen and read the paper that you’ve sent in advance, so,
we’ll go straight into questions, if you’re happy with
that. Okay, I want to start off. In your paper you have called for
a specific evaluation to be undertaken of what the BBC’s
obligation should be to Wales, separate to the charter review
process. Why do you think this is necessary?
|
[3]
The
Deputy Minister for Culture, Sport and Tourism (Kenneth
Skates): Just to be clear,
we’re not calling for an evaluation of the BBC’s public
purpose to be carried out separately. The two are linked. So, that
evaluation would have to take place in parallel. We’ve been
calling for that assessment for some time after devolution, and,
indeed, it was built into our response to the Ofcom review of
public service broadcasting. So, it’s nothing new.
Effectively, it should be undertaken now in parallel with charter
review in order to establish a compact for Wales within the new
charter after 2017. The First Minister has already written,
requesting that this review be undertaken. He’s not yet had a
response, as far as I’m aware. If we do not have a
satisfactory response, I think it’s fair to say that we may
need to undertake that work ourselves, and therefore re-establish
the broadcasting advisory panel.
|
[4]
Christine
Chapman: Obviously, this
has been pursued with the UK Government, but you’re still
waiting for the response. When do you anticipate the
response?
|
[5]
Kenneth
Skates: Well, it’s
in the hands of the Secretary of State.
|
[6]
Christine
Chapman: Right. Okay. Thank
you. Rhodri.
|
[7]
Rhodri Glyn Thomas: Weinidog, rwy’n cymryd mai’r sail am yr alwad yma
yw eich bod chi, fel Llywodraeth, yn teimlo nad yw Cymru’n
cael ei chynrychioli yn ddigonol ar y BBC ar hyn o bryd, ac nad oes
yna ddigon o bortread o Gymru—yn y Gymraeg, ac yn sicr yn y
Saesneg—ac nad yw Cymru yn ymddangos yn ddigonol ar y
rhwydwaith, ac eithrio’r rhaglenni hynny sy’n cael eu
cynhyrchu yng Nghymru, megis Doctor Who, Casualty ac
yn y blaen, ond sydd ddim yn adlewyrchu Cymru mewn unrhyw
ffordd.
|
Rhodri Glyn
Thomas: Minister, I take
it that the basis for this call is that you, as a Government, feel
that Wales is not represented adequately on the BBC at the moment,
and that there is insufficient portrayal of Wales—in Welsh,
and certainly in English—and that Wales does not appear
adequately on the network, except for those programmes that are
produced in Wales, such as Doctor Who, Casualty and
so forth, but which don’t reflect Wales in any
way.
|
[8]
Kenneth
Skates: Yes, I’d
agree entirely. In the context of the sorts of cuts that the BBC
has had to shoulder in recent years, I think it’s necessary
that the level of funding for news and non-news in the English
language for the BBC must increase. But also, how Wales is
presented to the UK, and, crucially, how Wales is presented to the
people of Wales by the BBC, informs us not just of our culture and
our past, but where we’re going as well. We’ve seen a
reduction in the programming for Wales by the BBC, and I think
it’s essential therefore that we do have the review of the
public purpose of the BBC.
|
[9]
Rhodri Glyn Thomas: Mae
Ymddiriedolaeth y BBC wedi awgrymu bod angen newid y geiriad yn
niben y BBC i sicrhau bod y BBC yng Nghymru nid yn unig yn
cynrychioli Cymru ond yn adlewyrchu anghenion Cymru. A ydych
chi’n gefnogol i’r alwad honno?
|
Rhodri Glyn
Thomas: The BBC Trust has
suggested that there is a need to change the wording of the
BBC’s public purpose to ensure that the BBC in Wales not only
represents Wales but also reflects the needs of Wales. Are you
supportive of that call?
|
[10]
Kenneth Skates
continues: There are already
a half a dozen public purposes that the BBC has, one of which
concerns the regions and the nations, but I think the review could
strengthen that purpose, as Rhodri Glyn Thomas has
identified.
|
[11]
Rhodri Glyn Thomas: Beth
wnewch chi, felly, o ddatganiad James Purnell pan oedd e yma yr
wythnos diwethaf, yn sôn nad oedd modd sicrhau unrhyw faint yn
fwy o arian i’r BBC yng Nghymru ar hyn o bryd? Onid yw
hynny’n golygu nad oes dim modd cyflawni hyn heb fod
chwistrelliad ariannol? Mae sôn am yr angen am £10 miliwn
yn ychwanegol ar gyfer darlledu o Gymru am Gymru yn y Gymraeg
a’r Saesneg.
|
Rhodri Glyn
Thomas: What do you make,
therefore, of James Purnell’s statement when he was here last
week, talking about the fact that there was no way of ensuring any
more money for the BBC in Wales at the moment? Doesn’t that
mean that there is no way of achieving this without there being a
financial injection? There has been talk of a need for an
additional £10 million for broadcasting from Wales about Wales
in Welsh and in English.
|
[12]
Kenneth
Skates: The BBC’s
budget is significant, and I reject the idea that they aren’t
able to allocate more resources to English-language, particularly
non-news programming in Wales. I think the money could be allocated
if the BBC so wished.
|
[13]
Rhodri Glyn Thomas: A
sut ydych chi’n credu y dylai’r siarter newydd
adlewyrchu anghenion Cymru?
|
Rhodri Glyn
Thomas: And how do you
believe the new charter should reflect the needs of
Wales?
|
[14]
Kenneth
Skates: Sorry, I
didn’t catch the first part of the question.
Sorry.
|
[15]
Rhodri Glyn Thomas: Sut
ydych chi’n teimlo y dylai’r siarter newydd adlewyrchu
anghenion Cymru? Beth sydd angen ei gynnwys yn y siarter hynny i
newid y sefyllfa fel y mae’n bodoli ar hyn o bryd?
|
Rhodri Glyn
Thomas: How do you think
the new charter should reflect the needs of Wales? What needs to be
included in that charter to change the situation as it exists at
the moment?
|
[16]
Kenneth
Skates: That’s
precisely why we need to have the review of the public purpose of
the BBC—in order to assess precisely what it is that the BBC
should be providing for Wales and therefore how much the BBC should
be resourced and how the BBC should be accountable to the people of
Wales as well. We’ve already got the memorandum of
understanding in place with Welsh Government, we’ve got the
second MOU in formation with the National Assembly for Wales, but I
think what is essential during the deliberations over the charter
renewal is that we do also have the review of the public purpose of
the BBC to inform a compact for Wales.
|
[17]
Christine
Chapman: Bethan,
you’ve got a supplementary.
|
[18]
Bethan
Jenkins: Just on this point
precisely, at the moment, the charter renewal is happening, and I
appreciate what you’re calling for in terms of that public
purpose, but if that isn’t going to happen or you’re
not getting a response, what would you then say would be needed
from the charter? If they don’t listen to what you’re
calling for, then really we need to be saying, ‘Well, in
light of that, these are the urgent matters that we would want to
see happening as a Government’.
|
[19]
Kenneth
Skates: Well, as part of
our formal process in charter renewal, we’ve already been
able to provide an initial response to the consultation, which I
think highlights the various demands that the Welsh Government has
of the new charter. However, as I said at the outset, I think if we
do not have a satisfactory response concerning our request for a
review of the public purpose of the BBC, that work would have to be
undertaken by us here in Wales, I believe. It may well require
establishing a new broadcasting advisory panel in order to assist
in undertaking that review.
|
[20]
Christine
Chapman: Okay. So,
obviously, Minister, you’re going to wait for their response,
but you’ve got something in place, you’ve got a
concrete plan, if that is not forthcoming.
|
[21]
Kenneth
Skates: Yes.
|
[22]
Christine
Chapman: Okay.
Peter.
|
[23]
Peter
Black: When we had the
BBC Trust here last week, they were very keen to emphasise the huge
amount of investment they’re putting into Wales: we’ve
got the swanky new drama studios at Roath Lock and, of course, the
new development by Cardiff railway station—although actually
it seems to me they’re investing in Cardiff, rather than
Wales, but that’s another issue. Yet, when we talk about how
Wales is portrayed by the BBC, they don’t have a
commissioning editor based in Wales—all the programmes are
commissioned centrally—and the casting is done outside Wales,
even for productions produced in Roath Lock. Is that part of the
problem, do you think, in terms of why the BBC are not portraying
Wales in the way they should be?
|
[24]
Kenneth
Skates: Yes, and we see no
justification in the emergence of Cardiff as a centre of excellence
for drama production in reducing provision for local television
here in Wales for local services. It’s fantastic that
we’re able to celebrate Cardiff as a centre of excellence,
but that shouldn’t be used as an excuse for reducing spend on
television for Wales. I think, Peter, you’re right in
identifying commissioning as a major hindrance to this. We do have
a commissioner, as you rightly said, but my understanding is that
the commissioner is now based outside Wales, in London. I believe
it’s time for a commissioning base here in Wales.
|
[25]
I also
reject the BBC executive’s view that they should have the
quotas removed for commissioning, and that there is, as they call
it, an opportunity put in place. I’d see it as a requirement.
To compete for commissions in Wales, it’s absolutely clear
that, without the quotas for out-of-London production, we would not
have that centre in Cardiff and we would not have an incredible
increase in the level of employment that we’ve been able to
celebrate and the BBC has been able to celebrate. So, on both
counts, I would say, ‘Yes, commissioning needs to be
addressed—we need a commissioning base in Wales—and
quotas should not be removed’. My view is that if they wish
to proceed with an element of competition for commissions, then at
the very least they should protect the quotas for out-of-London
production.
|
[26]
Peter
Black: I think the issue
with competition, in a sense, is that you tend to commission in
your own image, and because they’re based in London
they’re not really identifying Welsh diaspora and
what’s happening in Wales. That seems to be the big
problem.
|
[27]
Kenneth
Skates: And then that
raises questions about the idea of establishing, if you like, a
super-indie in the BBC that could then distort the market, and
distort the market in a way that may not be to the benefit of
Wales.
|
[28]
Peter
Black: Have the Welsh
Government made representations along these lines to the
BBC?
|
[29]
Kenneth
Skates: Yes.
|
[30]
Peter
Black: The other issue I
wanted to raise is that we talk about reflecting Wales in drama
productions and non-news output, but there are, of course, other
BBC services coming to Wales that don’t reflect Wales.
I’m thinking, you know, of the biggest mass audience for
Radio 2, for example. Have you made representations to the UK
Government about how they might better represent Wales through that
particular output as it is broadcast throughout Wales, and more
people in Wales listen to it than Radio Cymru and Radio
Wales?
|
[31]
Kenneth
Skates: Yes, absolutely; I
think it’s the radio station with the most listeners in
Wales, and there are questions about whether you could have an
opt-out service in terms of the news provision that’s on
network television and radio stations. But, in addition, I think
the BBC need to roll out BBC Radio Cymru right across
Wales—that needs to be dealt with—and the issue about
DAB needs to be resolved as well.
|
[32]
Christine
Chapman: Before I bring
Alun in, I just wanted to pursue the point about the commissioning.
You’ve said that the Welsh Government has pressed the BBC
about this. Have you got a sense of whether they are resisting it
or are they more amenable to it? How would you assess
the—
|
[33]
Kenneth
Skates: The First Minister
first raised this back in December 2013 with the director-general.
I think it’s fair to say that BBC Cymru Wales would welcome a
commissioning base here in Wales. We’re still pursuing it
with vigour with the BBC in London, and I think it’s
essential, especially in the context of the memorandum of
understanding that we’ve been able to establish with the UK
Government and the BBC, as well as the one that Scotland has been
able to establish, that we have at least the same fairness of deal
with the BBC as Scotland has. But I’m pursuing the need for a
commissioning base here in Wales on a constant basis.
|
[34]
Christine
Chapman: Okay, thank you.
Alun.
|
[35]
Alun
Davies: Thank you. I go
back to the point that Peter made about commissioning to reflect
your own ideas or prejudices, if you like. What the BBC will no
doubt say to you is that what you can’t do is to emasculate
the creative process and that people deserve the best blah, blah,
blah, and therefore we have to commission the best irrespective of
where. So, quotas are a way of fixing a lot of that, but, of
course, what that means is that we have to put up with things that
are metropolitan focused and metropolitan orientated because
there’s a metropolitan culture within the BBC. And is it not
the case that quotas, commissioning base and the rest of it are
ways of ameliorating a more fundamental problem, and that is that
the culture of the BBC is a culture that is rooted in the upper
middle classes in London and not rooted in the daily life
experience of the people of Britain.
|
[36]
Kenneth
Skates: I think
that’s a fair assessment. I think that, in addition, the BBC
actually has a duty to be able to identify and promote production
and talent right across the UK, not just in London, so the removal
of quotas would undermine talent pathways as well. I think Alun
Davies’s assessment is very accurate.
|
[37]
Alun
Davies: But that demands a
far more fundamental and profound response, because you can argue
about—
|
[38]
Kenneth
Skates: Which is why we do
need that review of the public purpose of the BBC for Wales so that
we can then have a good impact.
|
09:15
|
[39]
Alun
Davies: But not for Wales,
sorry, Minister, for Britain, because we talk about Wales being
unrepresented and not portrayed on screen in the way that we would
expect and anticipate because we’re looking at it from a
Welsh perspective, but I’m equally sure that somebody living
in East Anglia might come to a similar perspective. Somebody living
in Cumbria might come to a similar perspective. So, it’s a
more fundamental thing than simply a Wales versus England, or Wales
versus a UK structure, because what we’re talking about is
Britain as a multinational, rich, cultural state not being
represented by the public service broadcaster, but the public
service broadcaster simply representing the interests of a
particular social class within the south-east of
England.
|
[40]
Kenneth
Skates: This is a point
that was discussed when I met with my counterparts from Northern
Ireland and Scotland as well—the need for the BBC to truly
and fully represent the whole of the United Kingdom.
|
[41]
Christine
Chapman: Mike.
|
[42]
Mike
Hedges: I agree with what
Alun Davies has said, but moving it from representing the elite of
the south-east of England to the elite of the south-east of Wales
is not necessarily making such huge progress. I speak as somebody
who—
|
[43]
Rhodri Glyn
Thomas: You represent
Swansea.
|
[44]
Bethan
Jenkins: You think that the
elite of Swansea should rule. [Laughter.]
|
[45]
Mike
Hedges: No. I think
that—. I thought you represented Swansea as well, Bethan.
[Laughter.] What my constituents feel is that, ‘For
Wales, see Cardiff’ seems to be the BBC’s view, and as
long as they do Cardiff or—if they really have to do the
whole of Wales—Cardiff, Carmarthen and Caernarfon,
that’s Wales done. Will the Minister agree that it’s
not just about putting something into Wales but that if we’re
going to do Wales we cover the whole of Wales? You know better than
I do, Minister, that the area around Wrexham sometimes feels that
it is equally as forgotten.
|
[46]
Kenneth
Skates: Oh, indeed. Again,
I’ll just reflect on the point that’s been made about
the drama production centre here in Cardiff sometimes being
promoted as a great celebration of the BBC’s devolution of
resources to the regions and nations. Well, it may well be that we
have a superb centre for drama production, but we need to have a
greater degree of funding and better representation of all of Wales
for Wales.
|
[47]
Christine
Chapman: Okay. Thank you. I
will move on to John now.
|
[48]
John
Griffiths: Thanks, Chair.
Sticking with funding, then, Minister, the First Minister has
suggested that BBC Cymru Wales should receive an extra £30
million per year. Could you tell us on what basis that figure has
been arrived at?
|
[49]
Kenneth
Skates: Well, that figure
is based on discussions with BBC Cymru Wales. I was pleased that
the Institute of Welsh Affairs last week supported that figure as
well. Of course, it could change based on the public purpose review
that we’ve called for, because that would then inform us what
the BBC should be doing for Wales, and therefore how the BBC should
be resourced accordingly.
|
[50]
John
Griffiths: So, has an
analysis been done, then, on what that additional £30 million
per year would achieve, and what would be the consequences of not
receiving that additional sum of money?
|
[51]
Kenneth
Skates: Well, not
receiving that additional sum of money would mean that the people
of Wales, in our view, would not be represented and served by the
BBC in the way that we believe we should be. The figure of £30
million, as I say, has been arrived at through discussions with BBC
Cymru Wales, but it could change depending on the review that
we’re calling for. Again, that’s why the review is so
essential.
|
[52]
John
Griffiths: That
analysis—that request—would have been made, obviously,
to UK Government as well as to the BBC.
|
[53]
Kenneth
Skates: Yes, and
it’s in our formal response to the consultation.
|
[54]
John
Griffiths: Yes, okay. The
Welsh Government has also said that it really is questionable how
the BBC could deliver on its commitment to invest in and improve
services to the regions and nations of the UK without additional
investment being made. Could you flesh that out a little bit,
Minister, in terms of how that position has been determined and
arrived at?
|
[55]
Kenneth
Skates: Sure. Is that
okay?
|
[56]
Ms
Hale: Yes.
Sorry—can you ask the question again?
|
[57]
John
Griffiths: The Welsh
Government’s position is, without a net increase in funding
to the BBC on a UK basis, it’s very difficult to see how the
BBC could deliver on its commitments to improve services to the
regions and constituent nations of the UK. So, could you let the
committee know how the Welsh Government position has been arrived
at and what is the analysis and the thinking behind that
statement?
|
[58]
Ms
Hale: Yes, I can. So,
we’ve had quite detailed analysis of the cuts that have been
made already to the BBC and S4C and the amount of programming that
has reduced because of those cuts, certainly within the BBC on
English language programming. So, that analysis and the forwarding
of consultations to both Ofcom and the BBC and the DCMS have been
going on at Government for some time. It is absolutely clear that,
if there are any further cuts to S4C or BBC Wales, Wales will lose
out substantially in terms of the services, because we have taken
all the cuts we can take. We are already not represented adequately
in terms of our own programming, in terms of news, right across the
board—from local drama to local news to local comedy to local
entertainment. If you cut it anymore, we will absolutely not have
the services we will require. And, the BBC and S4C will not be able
to deliver for Wales as the people of Wales would
expect.
|
[59]
John
Griffiths: Just taking that a
little bit further, Chair, the First Minister is also on record
saying that the next charter might result in audiences within Wales
being dealt the worst hand of any part of the UK. So, obviously,
there’s a general picture in terms of BBC funding, what
it’s likely to be and the effect on regions and constituent
parts of the UK in general. But, the First Minister is obviously
very concerned, as we would expect, that Wales could be dealt with
a more negative and damaging effect than any other part of the UK.
What’s the basis for that statement?
|
[60]
Kenneth
Skates: We’ve had
significant cuts already in the past 10 years. So, the basis of
that concern is that we’ve already had to shoulder
considerably deeper cuts to provision for BBC Cymru Wales than has
been experienced in other parts of the UK. So, the trend is towards
cutting BBC Cymru Wales in a way that’s not equitable across
the United Kingdom.
|
[61]
John
Griffiths: Okay,
Chair.
|
[62]
Ms
Hale: And, I would just
like to add as well, I think that we stand—and have shown
that there’s a standing of shoulder to shoulder with the rest
of the nations and that actually we would participate in the
negotiations, and have done with Scotland and through the MOU of
making sure that Wales is not going to take any more cuts than
anywhere else.
|
[63]
Christine
Chapman: I think the main
point is that—. Obviously, everybody else has been cut, but
Wales has actually done disproportionately badly. I wonder could
you say something more about that the fact that Wales is doing so
badly.
|
[64]
Kenneth
Skates: I think this is
actually a question for the BBC, but our view is that Wales has not
been dealt a fair hand and that sometimes the centre of excellence
is used to promote the idea that the people of Wales are being
served and represented in a very fair way, which is not necessarily
the case.
|
[65]
Christine
Chapman: Okay, we will be
putting these questions to the BBC. Okay, thank you.
Alun.
|
[66]
Alun
Davies: Yes, I’d
like to follow on from our earlier conversation about the way the
BBC reflects British people. You have said that in your submission
the Welsh Government supports the option of a unitary board and a
standalone regulator for the BBC. Could you explain, Minister, how
you believe that structure would help address the cultural issues
that we referred to earlier.
|
[67]
Ms
Hale: I think that, at
the moment, right up until this point where Wales hasn’t been
represented as it should have been. I think the reason that the
First Minister was calling for a public purpose review is an
understanding from a very high level of what is the requirements
and reasons for the public purposes of the BBC and S4C. But,
because, actually, we haven’t been represented and the BBC
hasn’t been accountable as it should have been in the past, I
do think that a new regulatory body that sits outside would make
the BBC more accountable because they would have to be accountable
to an external body, but our job then would be to make sure that
Wales was represented properly within that outside body. What I
would say is that it seems to be that, up until now, the
accountability of the BBC hasn’t been as adequate as we would
have wanted it to be in Welsh Government, and an external body
would give us a new chance to change that in the future.
|
[68]
Alun
Davies: I’d be
interested if you could describe that in a bit more detail because,
at the moment, of course, the BBC does have means and mechanisms of
accountability. The representative, if you like, Elan Closs
Stephens, was here last week. I know from personal experience that
she is an extraordinarily strong representative for Wales. She
fights hard, speaks up and is hugely respected in the sector and
within the BBC itself. It’s difficult therefore to see how
this suggestion of a unitary board—I don’t understand
what you mean by a stand-alone regulator, I must say—would
actually fundamentally change what we have today.
|
[69]
Kenneth
Skates: Well, it
wouldn’t be as a stand-alone system of accountability in its
own right because, with the establishment of the MOU with the
National Assembly, there’d also be direct accountability to
this place as well, but I think it would make progress over the
current arrangements. I think the fact that you were able to
identify the current representative as somebody who fights so
passionately and effectively for Wales and yet, in spite of that,
Wales is not represented as it should be, demonstrates why there
has to be structural change there. We believe that the stand-alone
unitary system would enable us to be better represented.
|
[70]
Alun
Davies: Okay. I’m
still not entirely convinced by that. In terms of where we are
today, we discussed last week that I think it’s been seven
years since there was a major drama production reflecting Wales on
UK networks. To me, that isn’t simply an
oversight—something you’ve missed one year due to a
changeover of months or years or financial years or whatever.
That’s a fundamental systemic problem. One of the nations of
Britain not represented in drama on the mainstream channels for
seven years—
|
[71]
Kenneth
Skates: That comes back to
commissioning—
|
[72]
Alun
Davies: Well, I
don’t think it does, you see—. Clearly, it does, but I
think it goes further again. Is it not the case that, without a
significant federalisation of the BBC, you’re not actually
going to address some of the issues that we’ve agreed need to
be addressed within the BBC?
|
[73]
Kenneth
Skates: I think, first and
foremost, it is about the commissioning, because if the
commissioning leads to more drama production for Wales being
produced in Wales that can then be put on the network, then we
would address the problem that you’ve highlighted. So, I
think, first and foremost, it is about commissioning.
|
[74]
Alun
Davies: I don’t
think it is, you see, Deputy Minister, with all due respect,
because, at the moment, the BBC produces a significant amount of
programming from Wales. I don’t want to be at all churlish
about it. They’ve used my own constituency as an alien planet
on some occasions, and I’m very pleased to see that. But
Doctor Who, with the best will in the world, is not a
reflection of life in Wales. It may feel like it, sometimes, I
accept that, but it’s not a reflection of the lives of our
constituents; it’s not a portrayal of life in Wales. I
don’t think it should be, quite frankly, but the fact that
you have a production base in this country doesn’t lead to an
improvement in portrayal—. A commissioning facility might
well address those issues, I do accept that, but, fundamentally,
the systemic issue that we’ve agreed and identified—can
that be addressed without the federalisation of the BBC and a
fundamental change in the way the BBC operates?
|
[75]
Kenneth
Skates: I see what the
Member is saying. The presentation of Wales through drama for
network—
|
[76]
Alun
Davies: I use it as an
example.
|
[77]
Kenneth
Skates: And I think
that’s absolutely fair. I think the way that Wales has been
presented has been a major issue for all of us for some time. It is
not accurately portrayed in many respects. Sometimes, we’re
not fairly portrayed across the network. So, I would agree with
your assessment of this situation.
|
09:30
|
[78]
Alun
Davies: But do you agree
with my solution?
|
[79]
Kenneth
Skates: A more federalist
structure?
|
[80]
Alun
Davies: That these issues
that you’ve agreed with—. Can you address and overcome
these issues without a significant federalisation, not simply of
individual decision making, but of the structures—the
financial structures, the legal structures and the decision-making
structures of the BBC?
|
[81]
Kenneth
Skates: Well, unless the
review that we’re calling for can identify any other means of
addressing those concerns, I think we would have to examine very
carefully what you propose. But first and foremost, if we start
with the review of the public purpose of the BBC to examine
precisely what it is that the BBC should be doing for Wales, in
Wales, and in terms of representing Wales outside of our country,
if that can address the concerns, then that would be a satisfactory
method of delivering the sort of change that we would both wish to
see. But if that failed, or if we are deprived of the opportunity
of having a review, then that work needs to be undertaken by
ourselves and, of course, would then consider the sort of
structural change that you’ve been advocating.
|
[82]
Alun
Davies: Okay. So,
you’re quite hesitant on that.
|
[83]
Christine
Chapman: I think the Member
is suggesting that the federalisation could actually be a stronger
model than hoping that the BBC will—. You may not have a view
on this yet.
|
[84]
Kenneth
Skates: Well, the review
would hopefully be able to present us with the sort of intelligence
that we need to be able to conclude whether or not that’s the
case. My impression is that it probably would be, but I’d
wish to have a review conducted in order to fully inform us of
that.
|
[85]
Alun
Davies: There is, of
course, the independent review of the BBC’s governance taking
place, being led by Sir David Clementi, at the moment. I presume
that the Welsh Government is going to be contributing to
that.
|
[86]
Kenneth
Skates: Our consultation
has been fed into that. So, our consultation response to the
charter review has also been forwarded to him for consideration as
well.
|
[87]
Alun
Davies: So, the response
that you’ve already written would be presented to Sir
David.
|
[88]
Kenneth
Skates: Yes.
|
[89]
Alun
Davies: Okay. Just
finally, we’ve spoken about the portrayal of Wales on screen.
What is the Welsh Government’s position at the moment, and
what do you feel about the reporting of Wales? I don’t
necessarily mean by BBC Wales outlets—you know, Wales
Today, Radio Wales, Radio Cymru and Newyddion—but
I mean by the network news and current affairs
programmes.
|
[90]
Kenneth
Skates: Well, the
provision and the degree of coverage have not been particularly
impressive. At times I think this is an issue for the news
editorial team. There are questions about whether you would have
opt-out services. Again, I don’t think we should have any
different system implemented to that which Scotland has. I think we
need to have the same degree of coverage and the same service that
Scotland has as part of the new charter.
|
[91]
Alun
Davies: I listen to
Today in the morning. I can’t easily remember a report
from Wales outside of sport. Do you think that fairly reflects the
experience of living in the United Kingdom from a Welsh
perspective?
|
[92]
Kenneth
Skates: Well, again it
comes back to the point you were making earlier about where the BBC
is focused, and where the majority of BBC activities are based. It
still remains London and the south-east. This ties in with the need
for quotas to be at least maintained, because unless we have more
of the BBC planted in the regions and in the nations, we’re
not going to have a fair degree of coverage of the nations and
regions. As Mike said, it’s not just about taking what the
BBC has in London and then planting it in one large urban centre in
each of the regions and the nations; it’s about ensuring that
the BBC fairly and adequately covers all of life across the
UK.
|
[93]
Alun
Davies: Okay. Finally, the
representatives of the BBC Trust here last week were very clear
that they felt that the BBC had responded fully and adequately to
the original Anthony King report, and then subsequent updates. Is
it the view of the Welsh Government that the BBC has responded
adequately to those views?
|
[94]
Ms
Hale: Yes, I think we
have responded adequately. I think it’s—
|
[95]
Alun
Davies: I asked whether
the BBC has responded adequately.
|
[96]
Ms
Hale: Oh,
sorry—have the BBC responded adequately? I’d have to
come back to you on that and have a look into it, if you
don’t mind.
|
[97]
Alun
Davies: It’s a
pretty fundamental question, Ms Hale.
|
[98]
Ms
Hale: Yes. I mean, from
the perspective of whether they have been able to do everything
that was asked of them, I don’t think that they have, but I
would have to come back to you in detail on that.
|
[99]
Alun
Davies: It would be useful
if you could do that reasonably quickly.
|
[100]
Christine
Chapman: Yes. If you would,
yes. Thank you. Right. Bethan.
|
[101]
Bethan Jenkins: Rwyf
i jest eisiau mynd yn ôl yn glou at y cwestiwn ynglŷn
â rheoleiddio. Roeddwn i eisiau dod i mewn pan yr oedd Alun
Davies yn gofyn ichi am greu corff annibynnol a fydd yn
rheoleiddio’r BBC. Rwyf
i wedi darllen yr hyn rydych chi wedi’i ysgrifennu, ac yn fy
marn i, fe fyddai’n rhywbeth a fyddai ar wahân, oherwydd
na fyddai’n cyd-fynd â’r hyn y mae Ofcom yn ei
wneud ar hyn o bryd. Mae
Ofcom wedi dweud nad oedden nhw’n meddwl mai nhw ddylai wneud
y gwaith. Ond
a fyddai ffordd o roi digon o reolau yn eu lle, fel na fyddai eu
cyfrifoldebau masnachol neu eu cyfrifoldebau ehangach yn gwrthdaro
â’r hyn a fyddai’n digwydd o ran
rheoleiddio’r BBC? Fy nghonsýrn i yw bod creu un endid
ar gyfer rheoleiddio un peth yn y byd cyhoeddus yn rhy gul, ac ni
fydd yn atynnu, efallai, arbenigwyr yn y maes i wneud y rôl
hynny. Rwy’n credu ei fod yn bwysig, oherwydd os ydym ni am
newid y system, rydym eisiau gwybod yn iawn pa fath o strwythur a
fydd yn gallu gweithio er mwyn dwyn y BBC i gyfrif. Nid wyf yn
siŵr, ar hyn o bryd, a ydw i’n cytuno gyda’r hyn
rydych chi’n ei ddweud: mai creu rheoleiddiwr yn benodol ar
gyfer y BBC fydd yn gweithio i’r dyfodol.
|
Bethan
Jenkins: I just want to
return briefly to the question about regulation. I wanted to come
in when Alun Davies was asking you about creating an independent
body that would regulate the BBC. I have read what you’ve
written, and in my opinion, it would be something that should be
separate, because it wouldn’t correspond to what Ofcom is
doing at present. Ofcom has said that they don’t think that
they are the ones who should be doing this work. But would there be
a way of putting sufficient regulation in place, so that their
commercial responsibilities or wider responsibilities don’t
conflict with what would happen in terms of regulating the BBC? My
concern is that creating one entity for regulating one thing in the
public realm would be too narrow and it wouldn’t draw in
experts in the field to fulfil that aim. I think it’s
important, because if we want to change the system, we want to know
exactly what kind of structure could work in order to hold the BBC
to account. I’m not sure, at present, whether I agree with
what you’re suggesting, namely that creating a specific
regulator for the BBC would be the one thing that would work in
future.
|
[102]
Ms
Hale: I think our
position has been that we need something that is more separate and
sits alongside the BBC than the current situation in terms of the
trust, which sits within the BBC. And Ofcom would have to still
have some regulatory power over the BBC, but it would not be all
moved into Ofcom.
|
[103]
Bethan
Jenkins: Right. Okay.
It’s just how that would work in practice concerns me in
terms of the separation of those responsibilities and the
accountability within the system, but, of course, that would all
have to be worked out, I suppose.
|
[104]
Ms
Hale: It would have to
be worked out. But also obviously there’s separation now,
already, so I think that it’s about saying, ‘Which bits
of that separation work and which bits don’t work?’ I
would agree that the trust member for Wales is an amazing advocate
and has fought very strongly for Wales, but actually, up to now, it
hasn’t worked that Wales has got the best deal that it
possibly can out of the BBC. So, the structure has to change, and
our perspective is that we should have a very clear idea of what
the BBC is there to deliver for Wales and what its obligations to
Wales are. We have actually called for a compact and a contract
between the BBC and Wales, and any new regulatory body would be
ensuring that the BBC does deliver those for Wales and those
contracts for Wales, and therefore would have to involve Welsh
Government and the Assembly in how it was regulating.
|
[105]
Bethan Jenkins: Ie,
wel, dyna beth roeddwn i’n dod ymlaen ato, achos yn fy marn
bitw i, ac efallai barn rhai o’r Aelodau eraill, mae’r
memorandwm yma wedi digwydd, ond mae yna broblemau, fel y dywedodd
y sector wrthym ni yr wythnos diwethaf, sydd yn mynd yn ôl hyd
at 10 mlynedd. Pam
ydy hi wedi cymryd hyd at nawr i hyd yn oed ystyried creu
memorandwm o ddealltwriaeth rhyngom ni a Llywodraeth Prydain? Ai
oherwydd y refferendwm yn yr Alban, ac rydym ni, felly, wedi dilyn
yr hyn sy’n digwydd yna, yn hytrach na ni, fel Cymru, fel
Llywodraeth, yn gosod yr agenda er mwyn sefydlu’r ffaith bod
angen mwy o ddatblygiadau yma yng Nghymru? Mae’r Gweinidog yn
cario ymlaen i ddweud bod angen adolygiad pwrpas o’r BBC, ond
gallai’r panel ymgynghori ar ddarlledu fod wedi gwneud hyn yn
barod heb aros a dibynnu ar Lywodraeth Prydain i wneud y gwaith
hynny. Felly, beth sy’n mynd i newid nawr bod y memorandwm yn
ei le a bod yna ail femorandwm yn mynd i ddigwydd? Pam nad yw wedi
digwydd cyn y pwynt yma, pan mae nifer fawr o doriadau wedi digwydd
am y 10 mlynedd diwethaf?
|
Bethan
Jenkins: Yes, well,
that’s what I wanted to come on to, because in my small
opinion, and perhaps the opinion of some of the other Members, this
memorandum has happened, but there are problems, as the sector told
us last week, that go back 10 years now. Why has it taken until now
just to consider putting together a memorandum of understanding
between us and the UK Government? Is it because of the referendum
in Scotland, and we’ve followed what’s happened there,
rather than us, as Wales, as a Government in Wales, setting the
agenda to establish the fact that there needs to be greater
development here in Wales? The Minister continues to say that there
needs to be a review of the purpose of the BBC, but the advisory
panel on broadcasting could have done this already without having
to wait and depend on the UK Government to do that work. So,
what’s going to change now that the memorandum of
understanding is in place and that there’s a second
memorandum going to happen? Why hasn’t that happened before
this point, when there have been a number of cuts for the past 10
years?
|
[106]
Ms
Hale: Do you want me to
answer that?
|
[107]
Kenneth
Skates: Yes.
|
[108]
Ms
Hale: I think that we
have been pushing the Department for Culture, Media and Sport for a
long time and BBC central in how Welsh Government will be feeding
into the charter review, and they were very clear that, post
election, there wasn’t going to be a discussion about the
charter review until the election was over. We have been in
constant negotiation and discussion with DCMS about how Wales will
feed into that review. It ended up that we went and met with
Ministers in Scotland and Northern Ireland because we were actually
very nervous that we weren’t going to get the input that we
should get, and that is what led to the memorandum of
understanding. I think the memorandum of understanding is a very,
very good step, but I think you’re absolutely right in that
it probably isn’t enough, and that is why the First Minister
wrote and asked for the review. But I also think that the other
reason that was behind the asking for the review is what Alun
Davies said, which is that, actually, this makes sense for the
whole of the UK. We are now living in a devolved UK, and actually
to just keep on having this charter review and renewal system,
where the services of the BBC are looked at over and over again
without saying, ‘Actually, what’s the
purpose—
|
[109]
Bethan
Jenkins: I appreciate that,
but I was at the Institute of Welsh Affairs conference, as were
others, last week, and there was a sense that they carried out the
audit of the current landscape of the situation in Wales because of
the vacuum that there is, they believe—I’m not wanting
to put words in any of their mouths, but I know that the likes of
Tom O’Malley would say that—of work and research that
hasn’t been done by Welsh Government, and which could be done
despite the fact that we don’t have the powers. Let’s
create a scene in Wales whereby if we did ever want television to
be devolved, we already have the set-up here for that to be an
environment in which to do so.
|
[110]
So, I
just come back to the question: if that is the fundamental thing
here—and I’m hearing ‘the review, the review, the
review’ in every answer—why was that not done before we
got to this point of the charter renewal, so that we were already
running towards it with a clear outline as to what Wales has and
will be able to do in the future? Again, just to reiterate my
point, what will be new in this new memorandum of understanding now
that the Assembly Commission will be involved in it, when they
weren’t before? The Scottish commission element was there
before. So, can we understand why that wasn’t included
initially?
|
[111]
Ms
Hale: It wasn’t
included initially because we wanted to get the memorandum of
understanding done as quickly as we possibly could so we could
start feeding into the process as early as we possibly could.
That’s why. So, we’ve decided to do the memorandum of
understanding, and for the Commission and the Assembly to feed in
on how it’s going to work later, because we wanted to get it
done as quickly as possible.
|
[112]
In
terms of why we didn’t do this audit, and the vacuum and the
research, I think that we took the advice of the broadcasting
advisory panel, which was, ‘This is what we should be looking
for in terms of charter renewal.’ We have said what Wales
needs from charter renewal before charter renewal, in terms of
Ofcom consultations since the panel broke up. That’s what
we’ve done, and as the Minister said earlier, if we
don’t get what we’ve requested then a panel will be set
up to do that piece of work, and we’ve made that quite
clear.
|
[113]
Bethan
Jenkins: I know this is in
future questions but it would be really interesting for me to see
what that advice was, because I’ve tried to get information
on what the panel’s done, and it’s been very, very
difficult. I think if the panel did advise, and did give
information or recommendations, it would be useful for us to see so
that we could then know where you’ve come from and where
you’re at in terms of that panel and its work, why it
isn’t a standing advisory panel, and why you have to
reconvene it anyway.
|
[114]
Kenneth
Skates: Can we follow this
up with a note for Members?
|
[115]
Christine
Chapman: I think the point
the Member’s making is that there is a risk that things seem
to have been done quite quickly now, but whether it could have been
done, say, five years ago—or at least some of the work. I
think that is a fair point. So, we’ll get the
information.
|
[116]
Kenneth
Skates: Yes. This is why I
think it’s necessary for you to see some of the work
that’s taken place, because that may well demonstrate that
there has not been that vacuum that some have assumed there has
been.
|
[117]
Christine
Chapman: Right. Yes, I
think that would be clear then.
|
[118]
Alun
Davies: Rather than
receive a note, it would be useful to receive the information from
the panel accompanying that note.
|
[119]
Kenneth
Skates: Okay.
|
[120]
Christine
Chapman: Thank you. All
right, Bethan? Okay. Mark.
|
[121]
Mark
Isherwood: Before I develop
my question about S4C, could I just ask a supplementary related to
the previous section? Regarding the accountability to viewers and
listeners, we all know that viewers and listeners have very
personal tastes, very individual views, and very strong views,
often, about the programmes that they like to view or listen to,
and the medium they choose to do that through. What, if any,
research has been undertaken, or will be undertaken, to establish
the broadcast balance that the viewers and listeners of Wales
actually want to see, perhaps on programming that reflects the
common experience of people across the UK compared to programmes
specifically reflecting Wales and its regions?
|
09:45
|
[122]
Kenneth
Skates: It’s
probably a question best asked of Ofcom, I’d
imagine.
|
[123]
Mark
Isherwood: Is this something
you believe the Welsh Government could have a role in facilitating,
or do you see a purpose in this?
|
[124]
Kenneth
Skates: A purpose in
examining tastes and audience—
|
[125]
Mark
Isherwood: Establishing the
views of the viewers and listeners, because the Welsh Government
has stated, rightly, that broadcasting institutions should not only
be accountable to this place, but also to viewers and listeners.
So, how do we give them a voice?
|
[126]
Kenneth
Skates: Well, that’s
done, often, through the audience council and through Elan Closs
Stephens, basically, with representation directly to the BBC and
also through work undertaken by Ofcom. But are you
suggesting—
|
[127]
Mark
Isherwood: In terms of asking
them this question, or the questions related to the charter review,
the balance of programming, how it can better reflect Wales, and
their wishes in terms of the programmes they want to watch. There
are programmes broadcast from Stockholm that were very popular in
parts of Wales, for example, as well as London,
Manchester—
|
[128]
Kenneth
Skates: This comes back to
the public purpose of the BBC: to reflect the people of Wales, the
views of the people of Wales, and the tastes and desires of the
audience as well.
|
[129]
Christine
Chapman: Can I just add to
that? I was going to ask about the different sectors, age, gender
et cetera; is that something you would get involved with in your
discussions as part of this process?
|
[130]
Kenneth
Skates: Well, the BBC has
a duty to represent the whole of Wales—all ages and all
communities. So, it will be the BBC’s responsibility to
ensure that the views of the audience are listened to and
addressed.
|
[131]
Christine
Chapman: If you felt,
theoretically, that they weren’t addressing that, would there
be a role for Welsh Government in this to—?
|
[132]
Kenneth
Skates: Well, there is
through charter renewal—
|
[133]
Christine
Chapman: Right. Okay.
That’s what I’m saying—that you are pressing
that.
|
[134]
Kenneth
Skates: —and
that’s why we’ve made the submission that we have,
because effectively people are not being represented as we’d
wish them to be.
|
[135]
Ms
Hale: Just one area that
we have directly commented on was on the BBC’s big push for
equality of opportunity and a big new push on making sure that
there’s equality across the BBC, and that we make sure that,
when we’re looking at equality, we look at the different,
diverse audiences and the different, diverse people of Wales and do
not just look at diversity from a London or England
perspective—there are diverse nations all over—and we
made representations to the BBC on that specific issue.
|
[136]
Christine
Chapman: Okay, thank you.
Mark.
|
[137]
Mark
Isherwood: I seem to have
gone around, but I will just conclude. Do you believe that there
will be, or could be, a role for Welsh Government in ensuring that
the views of listeners and viewers are taken into account in terms
of the broadcast mix that might come out of all of this?
|
[138]
Kenneth
Skates: I think
there’s probably a better responsibility for the National
Assembly to ensure that there’s accountability of BBC Wales
and the BBC to the people of Wales. That would be for the MOU to
establish, alongside the accountability of the BBC to Welsh
Government as well. I don’t think it’s just for Welsh
Government; I think it’s probably for the National Assembly
for Wales as well.
|
[139]
Mark
Isherwood: As far as I
understand it, the Assembly doesn’t, as a legislature, carry
out public surveys in the way that a Government might
facilitate.
|
[140]
Kenneth
Skates: Okay, sorry, in
terms of public surveys.
|
[141]
Mark
Isherwood: It might not
actually be done by it directly, but it might facilitate
it.
|
[142]
Kenneth
Skates: Right, okay, in
terms of public surveys. Yes, it could be, but ultimately
it’s for Ofcom as well to make sure that the BBC is carrying
out its duty in a way that the audience requires and expects. But I
can see the point that you’re making about the Government
involvement in pressing the BBC to be more accountable and
representative of the people.
|
[143]
Christine
Chapman: Mark, I’ve
got a supplementary on this from Rhodri and then Alun.
|
[144]
Rhodri Glyn Thomas: Yn
ôl yr hyn rwy’n ei ddeall o ran sut y mae’r
sefydliad yma’n gweithio, gwaith Llywodraeth Cymru ydy gwneud
y cysylltiad uniongyrchol â’r cyfryngau yng Nghymru,
a’n gwaith ni yw sgrwtineiddio beth mae’r Llywodraeth
yn ei wneud a’r modd y mae’r Gweinidog yn
cyflawni’r gwaith hwnnw. Byddai’n anodd iawn i’r
Cynulliad Cenedlaethol fel corff gael rôl uniongyrchol o ran
ymwneud â’r broses yma. Pwy fyddai’n gwneud hynny
ar ran Cynulliad Cenedlaethol Cymru?
|
Rhodri Glyn
Thomas: According to the
way I see this institution working, it is the work of the Welsh
Government to make that direct link with the media in Wales, and
our work is to scrutinise what the Government is doing and the way
in which the Minister is achieving that work. It would be very
difficult for the National Assembly as a body to have a direct role
in terms of dealing with this process. Who would do that on behalf
of the National Assembly for Wales?
|
[145]
Kenneth
Skates: Apologies; it was
my misunderstanding of the question regarding accountability and
the MOU between the National Assembly and the BBC.
|
[146]
Christine
Chapman: Okay, thank you.
Alun.
|
[147]
Alun
Davies: That’s a
shame because I actually quite liked that. That was a very good
answer; I preferred that to the second one. I disagree with
Rhodri’s point, as it happens; I believe that this
institution can create means and mechanisms to deliver
accountability. We do it through the committee system at the
moment, and I think we can do it in the future as well. But
I’m interested in the Welsh Government’s view on this,
because the Welsh Government has taken a view historically that it
does not wish to see the devolution of broadcasting as a subject
area, and I understand the thinking behind that. But, once you
start devolving means and mechanisms of accountability, it seems to
me that it’s very difficult to do that if broadcasting
remains wholly a reserved function, because any institution can
really be accountable in a profound way if there is a level of
responsibility as well. So, my question to you, Minister, is if you
see a role for accountability here in Wales—we’ll leave
the point of Government and Assembly to one side just for the
purposes of this question, but if you see institutions in Wales
playing a role in accountability, which I agree with, then you must
at the same time accept that responsibility for broadcasting cannot
wholly remain with the UK Government, but has to be shared with
these institutions as well.
|
[148]
Kenneth
Skates: I think
we’ve stated quite clearly that, regardless of the devolution
issue, there should be accountability to the people of Wales
through Welsh Government and the National Assembly. Actually,
it’s worth reflecting on the point you made previously that
there could be a role here. One of the recommendations, I think, of
the task and finish group on the future of the media was to ensure
that broadcasters come to this place and are held to account
before, I think, this committee.
|
[149]
Alun
Davies: But my point to
you, Minister, is that the current constitutional structure
doesn’t create the opportunity for that to happen except on
the basis of good will.
|
[150]
Kenneth
Skates: Yes.
|
[151]
Alun
Davies: And so,
essentially, if we’re to deliver real
accountability—not a PR exercise, not a promotional or
marketing exercise once a year, but real accountability that would
address issues of the performance of the BBC across the whole range
of its functions—then that has to be reflected in the
constitutional settlement. And that means, from my point of view,
from what you’re saying, that the Welsh Government want to
see a sharing, if you like, of responsibility for broadcasting in
the UK.
|
[152]
Ms
Hale: I was just going
to say that what we have called for at the moment is that the BBC
would have a clear outline of their commitments to Wales—what
they’re going to deliver for Wales—on a very granular
and clear basis, and they would have a compact, which would be a
written contract, that they would deliver that for Wales, and would
therefore be represented and would be accountable to Government on
that written compact and contract.
|
[153]
Alun
Davies: I accept that, I
understand that, but without a change to the fundamentals—.
With all due respect, that’s not quite a side show—I
accept that—but, if you are to ensure hard accountability,
that needs to be in statute, it needs to be in the charter or the
supporting documents, and it needs to be reflected in any new Wales
Bill.
|
[154]
Kenneth
Skates: And that’s
why we need that review to take place in parallel with charter
review, so that we can actually ascertain whether further
structural change and devolution is required. So, it may well be
that we would have to, at a later date—depending on what the
Secretary of State says in response to the First Minister, it may
well be that we need to look at the issue of devolution.
|
[155]
Christine
Chapman: Okay, thank
you.
|
[156]
Bethan
Jenkins: So,
‘no’ at the moment, then.
|
[157]
Christine
Chapman: Right. Mark, have
you finished? Have you any more questions on your
section?
|
[158]
Mark
Isherwood: On this section,
just the observation that, as an AM, like all of us, we have people
coming to us with all sorts of views. I have had people come to me
saying that they want to safeguard broadcasting from north-west
England into north Wales. I’ve had people—you have, I
know, as well—regularly complaining in north-east Wales,
reflecting Mike’s comments, that broadcasts from Cardiff are
too Cardiff-centric, and also people saying they want more Welsh
content. But we haven’t got an objective basis to assess the
general position of the people of Wales on this basis, which is the
point I was trying to make.
|
[159]
Kenneth
Skates: Is it an audit, if
you like, of activity that you’re proposing?
|
[160]
Mark
Isherwood: Well, an audit of
views—what people themselves want. Are they content with the
current mix? Do they wish to see it changed? What is their
favourite medium? What is their favourite programming? Do they feel
there is insufficient news or drama broadcast from and within Wales
reflecting Wales and its experiences, or not? As an evidence base
to go forward.
|
[161]
Kenneth
Skates: Sure.
|
[162]
Mark
Isherwood: Anyhow, I’ll
move on to S4C, which is the main block of questions I’ve
got. Since you last appeared before us at the beginning of this
inquiry, what action has the Welsh Government taken to
protect/safeguard S4C’s budget?
|
[163]
Kenneth
Skates: Again, we’ve
made clear demands for S4C’s funding to be protected. S4C has
suffered an incredible cut in recent times, a real-terms cut of 36
per cent. It cannot be cut any more. We’ve also called for
the review that we were promised into S4C to take place. It’s
worth noting that we were promised a review of S4C during the
current spending round. That has not yet happened. So, a review of
S4C is urgently required. It’s also worth noting that, in the
letters of October 2010 that were sent out by the Secretary of
State to the chairs of S4C and the BBC Trust, it was stated that a
review of S4C’s strategy and finances would be completed in
good time before the end of the period covered by the comprehensive
spending review, and also the 2011 framework agreement between the
Secretary of State and the BBC referred specifically to a review of
the strategy and finances of S4C. We need the review to take place
urgently in order to inform us of what it is S4C requires for the
Secretary of State to be able to deliver on his duty to make sure
that S4C is adequately resourced.
|
[164]
Mark
Isherwood: So, since he came
to see us in September, are we to assume from that that
there’s been correspondence or phone calls?
|
[165]
Kenneth
Skates: We’ve
reaffirmed our demand for S4C to be protected, the funding to be
protected, and for the review to take place, as we were promised it
would be.
|
[166]
Mark
Isherwood: Through
correspondence, this is?
|
[167]
Kenneth
Skates: Yes.
|
[168]
Ms
Hale: Yes.
|
[169]
Mark
Isherwood: Okay. Is that
something the committee might want to see, Chair, or
not?
|
[170]
Christine
Chapman: Do you want to see
the correspondence the Minister suggested? Yes. Okay; we’d
like to see the correspondence.
|
[171]
Ms
Hale: There’s lots
of correspondence.
|
[172]
Kenneth
Skates: Can we provide
that if you haven’t already had it?
|
[173]
Christine
Chapman: Yes.
|
[174]
Kenneth
Skates: Okay.
|
[175]
Christine
Chapman: Okay.
|
[176]
Mark
Isherwood: And, in terms of
what the Welsh Government considers would constitute sufficient
funding for S4C, would that, again, be dependent on the review, or
do you have a view already?
|
[177]
Kenneth
Skates: Well, it would be
in part, but, as I’ve already said, the Secretary of State
has a duty under the Public Bodies Act 2011 to ensure that S4C
receives sufficient funding. A review would inform us, but
it’s my belief that sufficient funding would ensure that S4C
secures the current quality and volume of services, but that it
also has the freedom to innovate, to improve services, to increase
provision, and to be able to implement services such as high
definition and enhanced online delivery. But we do need an informed
assessment of the level of appropriate funding, which should come
out of the review that we’re calling for.
|
[178]
Mark
Isherwood: So, at this stage,
you can’t give us an estimated or ballpark figure of what you
consider would be sufficient.
|
[179]
Kenneth
Skates: No, we can’t
at this stage.
|
[180]
Mark
Isherwood: What funding model
for S4C would you advocate, and do you see a role for Welsh
Government in the future in this?
|
[181]
Kenneth
Skates: Well, at this
moment in time, the model of the licence fee, and the contribution
from the UK Government, is a model that would serve S4C. There are
risks with any devolution of funding of S4C to the Welsh Government
because of the way that the BBC may be funded after 2017 following
charter review. So, it’s our view that any change on this
would have to be conditional on a very, very strong safeguard
concerning the degree to which S4C is funded overall. All of this,
of course, has the priority of the wellbeing of the Welsh language
at its heart.
|
10:00
|
[182]
Christine
Chapman: Is it a
supplementary on funding that you wanted? Because I know Gwyn had
some questions, but it is on the funding.
|
[183]
Bethan Jenkins: Ie.
Roeddwn i jest eisiau gofyn, pan ddaeth y sector annibynnol i mewn,
roedd un aelod o’r cwmnïau wedi dweud y bydden nhw
eisiau gweld 10 y cant o gynnydd i S4C a bod hynny wedyn yn codi
gyda chwyddiant pob blwyddyn. A ydyn nhw wedi codi hynny gyda chi,
a beth yw’ch barn chi ar y ffigur yma? Oherwydd, fel rwyf i
wedi ei glywed, nid oes ffigur gennych chi ar hyn o bryd, oherwydd
rydych chi’n aros am adolygiad. Ai dim ond yr adolygiad,
wedyn, a fydd yn eich gwthio chi tuag at ffigur penodol?
|
Bethan
Jenkins: Yes. I just wanted
to ask, when the independent sector came in, one member of the
companies said that they would want to see a 10 per cent increase
for S4C and that that would increase with inflation every year.
Have they raised that with you, and what’s your opinion on
that figure? Because, as I’ve heard, you don’t
currently have a figure, because you’re awaiting a review. Is
it only the review, then, that would push you towards a specific
figure?
|
[184]
Ms
Hale: So, was it the
independent sector that had come in and had—?
|
[185]
Bethan
Jenkins: They proposed 10
per cent, to grow with inflation. Have you heard that from them?
Have they represented that to you? And would you only come to a
conclusion on a figure after a review? Will you say that sufficient
funding would be necessary until you know what that service would
look like?
|
[186]
Ms
Hale: Do you want me to
answer that?
|
[187]
Kenneth
Skates: Sure.
|
[188]
Ms
Hale: We have lots of
correspondence, obviously, with the independent sector and with the
tv sector in Wales. There are a number of views of how much S4C
requires going forward, and I think Ministers’ correspondence
with DCMS and the BBC on what S4C requires going forward has been
dealt with in conjunction with S4C and with the chief exec of S4C.
At the moment, we haven’t put a specific figure on how that
would be and that’s been the strategy that we have worked on
with S4C.
|
[189]
Bethan
Jenkins: Okay,
thanks.
|
[190]
Christine
Chapman: Okay. Before Gwyn,
just on this specific point, Mike, and then Gwyn wants to come
in.
|
[191]
Mike
Hedges: On funding, how
does funding for S4C compare to BBC Alba?
|
[192]
Kenneth
Skates: I think
we’re going to have to come back to you on that and get the
specific figures for that.
|
[193]
Mike
Hedges: But don’t
you think that’s a good comparator?
|
[194]
Kenneth
Skates: No, we
don’t.
|
[195]
Mike
Hedges: Why?
|
[196]
Kenneth
Skates: Because the
demands and requirements of the audience in Wales, I feel, may be
greater than the equivalent for BBC Alba. I wouldn’t wish to
benchmark against BBC Alba. We are in a very different situation.
We’re a different country and the audience is different as
well. I don’t think it would be fair to the audience to
compare the audience directly to that which BBC Alba
serves.
|
[197]
Mike
Hedges: I wasn’t
comparing audience, I was comparing funding and the question
is—. I don’t know how much BBC Alba gets, but, from
what you’re saying, S4C should get more than more BBC
Alba.
|
[198]
Kenneth
Skates: Oh, yes. Yes. I am
saying that, which is why I’m saying that it wouldn’t
be fair, necessarily—well, it wouldn’t be right to fund
them equally.
|
[199]
Mike
Hedges: Does it get more
than BBC Alba?
|
[200]
Kenneth
Skates: Sorry?
|
[201]
Mike
Hedges: Does it get more
than BBC Alba?
|
[202]
Christine
Chapman: S4C.
|
[203]
Kenneth
Skates: I believe they do,
but I don’t have the figures to hand. So, yes.
|
[204]
Christine
Chapman: Would you have the
figures, or should we—?
|
[205]
Ms
Hale: We can get the
figures for you, if you want them.
|
[206]
Kenneth
Skates: We can ask for the
figures, yes.
|
[207]
Christine
Chapman: All right. Well,
if you could send that, that would be useful.
|
[208]
Kenneth
Skates: Yes.
|
[209]
Christine
Chapman: Okay, thank you.
Gwyn.
|
[210]
Gwyn R.
Price: Good morning to
you both.
|
[211]
Kenneth
Skates: Good
morning.
|
[212]
Gwyn R.
Price: Why does the Welsh
Government feel that an independent review of the partnership
between S4C and the BBC is necessary, and what progress has the
Welsh Government made so far?
|
[213]
Kenneth
Skates: I think I’ve
covered this question in quite some detail already. We’ve
made various demands, as I’ve highlighted, for the review to
take place. The First Minister has called for the review.
We’ve made it very clear in our response to the charter
review that there should be the review, so progress is being made,
and various representations have also been forwarded.
|
[214]
Gwyn R.
Price: You wanted an
independent review.
|
[215]
Kenneth
Skates: Yes.
|
[216]
Gwyn R.
Price: That’s what
I’m trying to get to, that you’ve called for an
independent review, haven’t you?
|
[217]
Kenneth
Skates: Yes.
|
[218]
Gwyn R.
Price: So, that’s
the way it is. To what extent does the Deputy Minister feel that
the cultural and social significance of indigenous language
services has been recognised during the charter renewal
process?
|
[219]
Kenneth
Skates: They’ve been
recognised, but I think, given the fact that we are calling for
further consideration and evaluation to be made, they probably
haven’t been recognised sufficiently. That review would then
be able to highlight whether or not and the degree to which
consideration has been given to them.
|
[220]
Gwyn R.
Price: Thank
you.
|
[221]
Christine
Chapman: Janet.
|
[222]
Janet
Finch-Saunders: Thanks.
We’ve talked a lot about the content production, but here
goes. What assessment has the Welsh Government made of the
BBC’s proposals to remove production quotas for in-house and
independent content and to turn its production arm into a
commercial subsidiary?
|
[223]
Kenneth
Skates: Ofcom has
undertaken an assessment of the impact of out-of-London quotas, and
what is clear is that there has been an increase in Wales as a
consequence of those quotas. Through discussions that we've had
with production companies, it's absolutely clear that we wouldn't
be where we are today without quotas, and what the BBC executive is
proposing, I think, would cause damage to the production sector in
Wales. We—
|
[224]
Janet
Finch-Saunders: And you believe
this is—oh, sorry; go on. I thought you'd finished,
sorry.
|
[225]
Kenneth
Skates: If the committee
doesn't have the data, then we can certainly provide the data from
Ofcom that highlight the success of the quotas for out-of-London
production.
|
[226]
Janet
Finch-Saunders: And do you believe
there’s a place for your own Government, though, to be doing
more assessments in this regard?
|
[227]
Ms
Hale: We would be able
to quite easily get the information in terms of how many production
companies, and also supply chains, have benefited from the
out-of-London policy, and also how fragile the policy is and the
impact that removing the policy would have. We talk a lot about the
centre of excellence, BBC drama, where Doctor Who is filmed,
but, actually, there is a huge independent sector and supply chain
based in Wales that rely on it and have seized it and made the most
of it, and to remove that—we can very easily provide figures
on how that potentially could damage Wales and employment in
Wales.
|
[228]
Janet
Finch-Saunders: Okay, and what
representations will you be making as a Government in respect of
any proposed changes to the terms of trade between public service
broadcasters and independent producers?
|
[229]
Kenneth
Skates: Well, we've
already said that we’re very wary of any changes to quotas
or, indeed, to terms of trade. I'm particularly concerned, as I've
already said, by the BBC studios proposal, which would effectively
create a super-indie. I think it would lead to competition being
driven out. I think the transformation of BBC’s production
operations into a commercial subsidiary could significantly distort
the market, and it’s my belief that the licence fee revenue
should be invested in the BBC’s content and services for the
benefit of UK citizens, rather than directed elsewhere on a
commercial risk basis. So, any changes to the current terms of
trade must protect the interests of both the people of Wales and
the creative businesses within the nations.
|
[230]
Janet
Finch-Saunders: Thanks. So, as the
Minister, you've already made strong recommendations on that that
we can actually, you know, see?
|
[231]
Kenneth
Skates: Yes, we can
provide that.
|
[232]
Christine
Chapman: Okay. Thank
you.
|
[233]
Ms
Hale: Just to add, as
well, that Tony Hall, the director general, is in Cardiff next
Monday, and we are arranging for him to meet many of the
independent production companies that rely on that
out-of-London—. That’s quite an important event for
us.
|
[234]
Janet
Finch-Saunders: And, again,
feedback from that—
|
[235]
Ms
Hale: That’s quite
an important event for us.
|
[236]
Janet
Finch-Saunders: —is good. It
just keeps it more transparent, and then we can see how
you’re making recommendations and representations. Thank
you.
|
[237]
Kristin
Chapman: Thank you. And
Tony Hall will be with us next week as well, at this committee.
Mike.
|
[238]
Mike
Hedges: Can I just throw
at you a couple of comments from Equity and see how you respond to
them? The first one is where Equity has said that Wales’s
interests have not been represented sufficiently during the renewal
process and the Welsh Government lacks a firm media policy. How do
you respond to that?
|
[239]
Kenneth
Skates: Well, I would
refute that. On what basis do they say that? I think we’ve
been very clear in our demands of what we expect from charter
review and our demand for a review of the public purpose of the
BBC.
|
[240]
Mike
Hedges: The other thing
that Equity said is that it's critical of the Welsh Government
approach to its broadcasting advisory panel, claiming that its
failed to report formally and how it
|
[241]
‘would seem
to have been the perfect focus point for a consistent message about
broadcasting in Wales’.
|
[242]
Kenneth
Skates: Much of our policy
has been informed by the work of the broadcasting advisory panel
that was established in 2012, and our policy has been consistent
with the advice that we've had from those experts, and which I
believe we will be providing you with information on.
|
[243]
Christine
Chapman: Okay. Mike, have
you finished?
|
[244]
Mike
Hedges: Yes, I’ve
finished, thanks.
|
[245]
Christine
Chapman: Okay.
Bethan.
|
[246]
Bethan
Jenkins: Having met with
Equity, I think the frustration is that the body was set up, but
having access to information on the ongoing work that that group
was doing has proven difficult, and as Peter mentioned earlier,
despite representations with regard to casting and locations of
castings and the trial, for example, for trying to get more Welsh
actors and more diversity—not just the same old faces on our
screens. They’ve made those representations to the BBC, and
they feel that that isn’t being listened to. So, I think that
those are the frustrations they feel. If that’s something
that you can talk to them more constructively about as a trade
body, they would be grateful for that.
|
[247]
Kenneth
Skates: I understand now,
yes. I have regular meetings with Equity and we discuss these very
issues, especially those concerning human resources and
opportunities for performance in Wales to be able to access
opportunities. So, I take what you hear, but I do actually meet
with Equity and I do try to represent their concerns to the
BBC.
|
[248]
Ms
Hale: I think
that’s a very good point that Equity make. I think
what’s happened on the back of the drama production is that
other shows are coming in from America, and just a point on the
last big Twentieth Century Fox show that came into Wales, 50 per
cent of the cast were from Wales and were cast from Wales. I think
that that is a real demonstration to the BBC that, actually, there
is an opportunity to cast a lot more talent and actors from Wales
than is currently happening. If the American producers can do it,
there is no reason why the BBC producers can’t also do
it.
|
[249]
Christine
Chapman: Okay. Thank you. I
just want to ask about the licence fee. I don’t think we
raised this yet. I wondered how you’ve raised your concerns
about the lack of consultation over the July 2015 licence fee
deal.
|
[250]
Kenneth
Skates: Sorry, how
we’ve—?
|
[251]
Christine
Chapman: How have you
raised concerns about the lack of consultation over the July 2015
licence fee deal?
|
[252]
Kenneth
Skates: Can we provide you
with correspondence on that?
|
[253]
Ms
Hale: There was lots of
correspondence about it.
|
[254]
Christine
Chapman: Okay. So, if you
could—
|
[255]
Bethan
Jenkins: It would also be a
good idea, I think, on the issue with regard to the pension
obligations. That would be good to know, because
obviously—
|
[256]
Kenneth
Skates: We’ll
forward you all of the correspondence on that.
|
[257]
Christine
Chapman: I think,
obviously, we are concerned that, you know, this is not going to
happen again.
|
[258]
Kenneth
Skates: Absolutely.
|
[259]
Christine
Chapman: So, yes, if you
could provide us with some information—.
|
[260]
Kenneth
Skates: We expressed our
displeasure at that and we’ll provide you with the
correspondence.
|
[261]
Christine
Chapman: That would be
good. Okay. Thank you. I don’t think there’s any more
questions. I think we’ve had a very good discussion this
morning. So, can I thank both the Minister and your official,
Natasha Hale, for attending and answering the Members’
questions? We will send you a transcript of the meeting so that you
can check to see if there are any inaccuracies there. Okay. Thank
you very much.
|
[262]
Ms
Hale: Thank
you.
|
[263]
Kenneth
Skates: Thank
you.
|
[264]
Christine
Chapman: We’ll have a
short break now. We’ll reconvene at 10.35 a.m. for our next
panel.
|
Gohiriwyd y
cyfarfod rhwng 10:13 a 10:37.
The meeting adjourned between 10:13 and 10:37.
|
Ymchwiliad i
Adolygiad Siarter y BBC: Sesiwn Dystiolaeth 6
Inquiry into the BBC Charter Review: Evidence Session
6
|
[265]
Christine
Chapman: Welcome back,
everyone. For this part of the meeting, we will be continuing our
evidence gathering as part of our inquiry into the BBC charter
review process. I’m very pleased to welcome our next panel.
Could you introduce yourselves and your organisations for the
record? Tom.
|
[266]
Professor
O’Malley: I’m Tom
O’Malley. I am professor emeritus of media in the department
of film, theatre and television at Aberystwyth
University.
|
[267]
Ms
Graham: I’m Angela
Graham. I’m a freelance television producer and I chair the
Wales media policy group for the Institute of Welsh
Affairs.
|
[268]
Dr
McElroy: I’m Ruth
McElroy. I’m reader in media and cultural studies and
director of the Centre for the Study of Media and Culture in Small
Nations at the University of South Wales.
|
[269]
Dr
Geraint: John Geraint.
I’m creative director of Green Bay Media.
|
[270]
Christine
Chapman: Okay. Welcome to
you all. You have sent some written evidence. Members will have
read that evidence, so we’ll go straight into questions. I
just want to start off. The Welsh Government has called for a
specific evaluation to be undertaken of what the BBC’s
obligation should be to Wales, separate to the charter review
process. Do you think this is necessary? Who’d like to start?
Angela.
|
[271]
Ms
Graham: I welcome anything
that the Welsh Government does in respect of the media in Wales. I
question the timing of this review. I managed to hear some of the
earlier session. It puzzles me as to why it wasn’t done
before now, and I think that may say something about the inadequate
role that the Welsh Government takes in relation to media in
general in Wales. That’s not to say that—. I am not
saying that they’re doing nothing. I fully appreciate what
they are doing. I’ve seen the letter that Ken Skates sent to
your committee on 4 November and the negotiations with the
Government at Westminster, but I just find his arguments of why it
couldn’t be done before unconvincing.
|
[272]
Christine
Chapman: Okay. We did
pursue this, as you know, with the Deputy Minister earlier on. Are
there any other comments from the panel on this particular
point?
|
[273]
Professor
O’Malley: I’d endorse
what’s just been said and stress the importance of Wales
figuring significantly in the Government’s overall statement
about its policy, which will come out in the White Paper in the
spring. So, I do think it’s important, but I do agree
entirely with what has just been said.
|
[274]
Christine
Chapman: Okay, thank you.
John.
|
[275]
Dr
Geraint: I think that one
of the points I was trying to make in the paper that I sent in
advance is that the media has a particularly powerful place in
modern society. The way in which cultures, people, groups of people
and individuals are represented, and the way in which they
represent themselves, or the way in which they are seen on the
media, has real effects in the real world. Those effects go well
beyond the economic effects that we know can happen as a result of
media investment. They’re actually in the cultural sphere.
Because Wales has been under-represented historically, I feel that
that has had certain effects in the cultural sphere for the people
of Wales. The BBC is the cornerstone of public service
broadcasting, and the BBC above all should be addressing those
concerns in a more active way than it’s been doing
hitherto.
|
[276]
Christine
Chapman: Okay. Thanks.
Ruth, did you want to—
|
[277]
Dr
McElroy:
I’m happy to
endorse the comments so far, but also just to emphasise that I
think it’s absolutely vital that the Welsh Government does
engage in this way, because it’s quite clear that, unless a
Welsh voice from this place is made very loud and clear,
there’s a real danger that the BBC will not continue to
understand the importance of representing the nations and regions,
and will not be able to meet the challenge of understanding the
changed context of devolution in the UK. If the BBC is going to
have a future as a national broadcaster, it needs to understand
what has changed here in Wales, but also across the rest of the
UK.
|
[278]
Christine
Chapman: Okay. Now,
I’ve got a couple of supplementaries: Alun first, and then
Bethan. Alun.
|
[279]
Alun
Davies: Point 11, Mr
Geraint, of your paper:
|
[280]
‘Wales needs
to express a sense of outrage at this state of
affairs.’
|
[281]
You
discuss at the beginning of your paper your doctoral thesis about
representation. Now, I have to apologise: I haven’t read your
doctoral thesis. But I’m interested as to the impact that you
are saying that the lack of representation has—I assume you
mean ‘portrayal’—in terms of the BBC’s
broadcasting ecology. So, it would be useful for us, I think, if we
could understand what you mean by that, and, when you say ‘a
sense of outrage’, how would you expect that to be
expressed?
|
[282]
Dr
Geraint: Well, when the
Chair of this committee and myself were teenagers in the Rhondda a
little while ago—[Laughter.]
|
[283]
Alun
Davies: I didn’t
realise—
|
[284]
Dr
Geraint: —our accents
were scarcely ever heard on television outside of news and current
affairs. We never heard our particular experience being reflected
in a rounded way on television. I think for many people—not
necessarily ourselves, but for many people—that has an effect
of making them feel rather like second-class citizens in their own
country: that they are not the ones who speak in the accents of the
privileged and of the entitled. I think it’s absolutely
outrageous that, all this time later—if I may, Chair—we
are still having to establish why we need that rounded
representation, and the BBC is still admitting that it’s not
doing it. That is, in my mind, a cause over which we should express
our anger. Why I put it that way is, we know, from events that have
happened in Scotland when BBC officials have gone up there, that a
sense of outrage has been expressed. The chair of the conference
that we were at last week made, in my view, an error of saying that
we are rather docile as a people, and that we don’t express
ourselves in terms of anger. I think our history proves otherwise.
Key moments in our history prove otherwise. Indeed, the history of
television, and the creation of S4C itself as a result of public
protest and very skilful political lobbying, proves that we are
very adept at putting our case. We need to be on the front foot
here.
|
[285]
Alun
Davies: Thank you for
that. It’s very useful. Do you think that the Welsh
Government should be doing more to express this sense of anger, and
do you think that the Welsh Government should be demanding, if you
like, a greater role in terms of holding broadcasters to account
for some of what they are failing to do?
|
10:45
|
[286]
Dr
Geraint: I think the Welsh
Government has done absolutely outstanding work in terms of the
development of the creative industries here in an economic sense.
I’ve been very proud, as an independent producer, to go to
international television markets and be able to talk about the
support that we receive, which is actually a great business
advantage for us when we’re trying to set up deals of
co-production. What concerns me is the arguments around culture and
around the effects of the media, beyond those simple economic
factors. I think in some ways, from the transcripts I’ve seen
of this committee’s meetings, committee members here
absolutely get that—they understand that, whereas there was
an argument 10 years ago to be had about the locus of production,
about where programmes were being made, particularly with regard to
the BBC, we are shifting now onto the ground of portrayal and of
representation and of how we tell Welsh stories on screens both
here in Wales and beyond.
|
[287]
Christine
Chapman: Can I just ask,
before Bethan comes in, Dr Geraint, you’ve made the point
about Wales’s representations, but are we any worse than the
other nations of the UK, do you think, in terms of this, or are we
about on an even—?
|
[288]
Dr
Geraint: I think there is
certainly an England—call it a London—bias, if you
like, in all broadcasting commissioning. I’m sure that people
in Scotland and people in the north of Ireland will be expressing
themselves in similar terms to mine. I think, historically,
we’ve had a particular problem here in Wales. We’ve had
very good resources devoted historically to Welsh language
broadcasting and television here. The S4C model has been
successful, it’s been justified, it’s been the right
thing to do. That’s now under huge pressure, of course. But,
in terms of English-language provision, yes, I think we’ve
actually—and the BBC’s own figures prove
that—gone backwards, and we’ve gone backwards at a
faster rate than the other nations of the UK.
|
[289]
Christine
Chapman: Are there any
other Members who would like to comment on that? Because I’ve
got Bethan who wants to come in as well.
|
[290]
Alun
Davies: I’d like you
to explain, Dr Geraint, what exactly you meant by that. You talked
about a bias in terms of commissioning, and I think it’s
important that you explain what you mean by that.
|
[291]
Dr
Geraint: Well,
there’s been a huge shift in my time in broadcasting. When I
began at the BBC, the producer was king, and it often was a male
figure. The producer held the power to make the kind of programmes
that the producer wanted to make. Now, almost all the power is in
the hands of the commissioners, the people who decide what
programmes get made, the people who release the funds for those
programmes to be made. One of the issues, I think, that this
committee might want to address is where commissioning is based
now. We’ve had the argument about where production is based.
We have the success of Roath Lock. But all BBC commissioning at a
network level is effectively done in England, and that is something
which I think has unfortunate effects in terms of the
representation of the whole of the United Kingdom on BBC
services.
|
[292]
Alun
Davies: Do you think that
necessarily just opening a commissioning office, essentially, here
in Cardiff or Tredegar or elsewhere would fundamentally change
that? If you remember, seven years ago, Channel 4’s
commissioning was all based up in Scotland. But you didn’t
see the same sort of change in terms of the commissioning spectrum,
if you like, as a consequence of that.
|
[293]
Dr
Geraint: I’m not
entirely sure that your characterisation of Channel 4 is quite
right.
|
[294]
Alun
Davies: Okay.
|
[295]
Dr
Geraint: But, to the extent
that it is, I think there is definitely something that happens when
you force a change of behaviour upon commissioners. Commissioners
are very adept at saying, ‘Oh, it all has to be about
creative freedom’, and ‘Quotas don’t work’,
and ‘We can’t do this’. I think Dr
McElroy’s work on Roath Lock shows that, actually, when you
have a political will from the very top to change things, things
change. I think a clear message, like the relocation of some
commissioning outside of England, would certainly have
effects.
|
[296]
Christine
Chapman: Okay. Thank you.
Bethan, do you want to—?
|
[297]
Bethan
Jenkins: I just wanted to
go back to the issue of the review that the Deputy Minister was
calling for, because I think this is quite important, because I
hear what you say about the fact that it may be late in the day,
but my concern is: how will the charter renewal process reflect
what Wales wants entirely without that review of purpose having
happened now, because the Minister said about 10, 11 or 12 times
that that review should happen, but yet hadn’t instigated a
review himself. Do you think that should have happened to create
the scene whereby we could have this discussion now, and, if it
doesn’t happen, what will that mean, therefore, for the way
in which the charter renewal process will carry forth in its
negotiations? It’s quite fundamental to me, because it did
frame most of his response to us as a committee.
|
[298]
Christine
Chapman: Angela.
|
[299]
Ms
Graham: I think the review
is one element of a number of things that could have happened,
should have happened, and then it’s perhaps up to you to
think, you know, what you would like to happen. If I may refer to
the Institute of Welsh Affairs media audit, it relates to the
amount of information that the Welsh Government has at its
disposal. I’m sure you’re aware of the audit.
It’s 145 pages of facts. I heard Elan Closs Stephens, in what
she said to you, say that it was about content. Yes, it is, but
it’s about a great deal more than content. It includes a
literature review, which Ruth and colleagues did, about all policy
on media since 2008. So, there’s a lot more than content in
this. But, anyway—.
|
[300]
How
has the Welsh Government equipped itself to speak about media
issues in Wales? I think that’s the broader thing behind your
question about a review. Certainly, the IWA would be very concerned
to point out to you that the broadcasting advisory panel, which I
know the Minister referred to this morning, last met in 2013. But
he said that its advice had had an influence—I can only
paraphrase—on what they’re doing about this current
review. The Institute of Welsh Affairs had to use a freedom of
information request in order to find out anything about the
activities of the broadcasting advisory panel. Now, I do understand
that it’s up to the—. Maybe not everything can be in
the public domain, but, in that answer, we were told that it was a
task and finish group. It was tasked. It finished. It last met in
2013. That’s all I can—. I know who was on the panel,
including Natasha Hale, who was here this morning—
|
[301]
Christine
Chapman: Sorry, that was
the FOI—the information you had.
|
[302]
Ms
Graham: The freedom of
information question gave us this information. Now, I can tell you
that I’m a very experienced media researcher, and I came
across other media researchers and journalists who, over the years,
have been trying to find out about the broadcasting advisory panel,
and we all failed. I know that an AM asked a question—I think
it might have been Suzy Davies, but I’m not absolutely sure.
Honestly, I thought I was a bad researcher, because I
couldn’t find out anything about it. Now, it would be
interesting to know why Welsh Government felt it necessary to
operate in that way.
|
[303]
Then
if I may just move on to, again, refer to our media audit, which I
know that you know was done on a voluntary basis, it was not funded
by the Welsh Government; it was funded by membership fees from the
Institute of Welsh Affairs members and by a £3,000 grant from
the Wales Institute of Social and Economic Research, Data and
Methods, which is an academic funding thing that we got from Ruth.
But it’s important that you know that a lot of collaboration
went into that audit from academics and from people in the
industry. It’s a real demonstration that the arts in Wales,
the industry in Wales and academics in Wales think that there
should be an ongoing, accurate body of information. So, it I think
it’s very important that I say to you on behalf of the IWA
that something that you could consider and take on is whether that
would be something that you require—this media monitoring
capacity and media analysis capacity. You heard what the Minister
said this morning about the broadcasting advisory panel.
|
[304]
May I
also say that in the IWA’s summit he was asked specifically
why Welsh Government had not put together some kind of resource to
ensure that the service to listeners, viewers and online users is
adequate? He said, ‘Well, I’m open-minded about that,
but I’m not sure or certain that now is the right time, given
where we are with the charter review and where we are with
discussions with Welsh Government about S4C. But I’m
open-minded about the potential to draw together experts and advice
for Ministers and to inform the Assembly, as well. I see a role for
the National Assembly to scrutinise and hold to account
particularly the BBC, and AMs will have to be able to draw on
expertise, so there will be a role there.’
|
[305]
He
mentioned the broadcasting advisory panel, which now, we know,
doesn't exist. So, you know, how are politicians to have sensible
opinions about the BBC and the media if they have to rely on ad hoc
bodies that emerge and disappear? That undermines the credibility
of what public politicians say, which I’m sure is not what
you want. So there’s a strong recommendation for a
requirement for some kind of working body that enables you to know
what’s going on.
|
[306]
Christine
Chapman: Okay.
Ruth.
|
[307]
Dr
McElroy: If I could just
add to that, I think there’s also a need to appreciate that,
across Europe, many of the challenges that we are talking about
here find resonance. The European Broadcasting Union, which is
based in Geneva, has media monitoring capabilities. There are
models for how to do this work, and we work closely with
individuals there who head their research in order to produce the
kind of evidence on which policy should surely be based. We are not
alone in trying to deal with some of these challenges. We should be
thinking in a pan-European way about how we address them, as well
as looking towards London. London might not have the answers. Other
parts of Europe might.
|
[308]
Christine
Chapman: Okay. Thank you.
Tom.
|
[309]
Professor
O’Malley: Your question was,
‘Should it happen?’, and the answer is, ‘It
should happen’. The committee may well want to make a formal
request in a letter, if you haven’t already done so, to
Minister Skates on that matter, and a formal request to the BBC on
this matter as well, plus a letter to the Secretary of State, John
Whittingdale, to ask what mechanisms are in place in the
Government’s procedures over the next few months to ensure
that it does happen. So, I’m not sure that you’ll get
positive responses to any of these things, but I think it needs to
happen.
|
[310]
The
second thing is, you’ll all be familiar with the film
Groundhog Day, which is a very entertaining film in which a
man wakes up every morning and the same say repeats itself over and
over again. These arguments go back, I think, to the 1920s, which
led to the build-up of BBC Wales, and John Reith’s vehement
opposition to BBC Wales. If you read the evidence submitted to the
Beveridge committee in 1949-51, arguments were coming from many
bodies in the civil society of Wales about this. These arguments
occur again in the Pilkington committee, they were there again
throughout the 1970s, in the lead-up to the arguments for S4C, and
they have continued ever since.
|
[311]
There
have been concessions, major and important concessions, but the
root of this is the opacity with which much broadcasting policy is
determined in the United Kingdom historically, which continues to
be the case. In fact, since the reforms of the early
2000s—the Communications Act 2003—both Ofcom and the
BBC have in a sense become less accountable in the way that their
boards are structured. They’re far more industry centred and
far less representative of the broad body of opinion in the United
Kingdom as a whole. I think it is really important to emphasise the
fact that there are clear steps that can be taken by the National
Assembly for Wales and the Welsh Government in the context of a
policy that is not devolved. I’m sure Minister Skates, if
pressed, would say ‘at the end of the day this is not a
devolved area. We do what we can, but that’s it’. That
doesn’t seem to me to be good enough.
|
[312]
Throughout my time
living in Wales there have recurrent incidents of this kind, with
committees established in an ad hoc fashion to deal with questions
that really matter to people in Wales. Therefore, it seems to me
very simple that one of the things that this committee could
recommend is that there be a standing committee, or a body of this
Assembly—after it is re-elected, obviously—which has a
broad remit to monitor media issues in Wales and can advise on
that. That seems to me to be fundamental, and an easy step forward,
and it would not cost much at all. It would have a really serious
impact, and I refer to the letter sent this week by the Culture,
Media and Sport Committee in Westminster to Tony Hall requesting
details about his proposition to put out up to 80 per cent of BBC
content to independent production. It wasn’t thought through,
but the letter itself shows that there is a body with the power and
the authority in Westminster to ask those questions.
|
[313]
Finally, the
second thing that I would argue is that this is a question about
the governance of the BBC, and I would also argue, public service
broadcasting and Ofcom generally. The BBC, it seems to me, should
organise a Welsh broadcasting council with devolved powers over
finance, content and commissioning to deal with questions here, and
that council should be appointed in as democratic a way as possible
to ensure that we do not have any more of these groundhog
days.
|
11:00
|
[314]
Christine
Chapman: Okay, thank you.
Bethan, have you finished?
|
[315]
Bethan
Jenkins: For
now.
|
[316]
Christine
Chapman: Okay.
Rhodri.
|
[317]
Rhodri Glyn Thomas: Diolch yn fawr iawn, Gadeirydd, a diolch yn fawr iawn am yr
ymatebion. Diolch yn arbennig i’r Athro O’Malley;
rwy’n credu eich bod chi wedi ysgrifennu’r adroddiad ar
ein rhan ni, ac rwy’n gobeithio wir y byddwn ni yn cynnwys yr
holl argymhellion hynny yn y dull cryfaf posibl o fewn yr
adroddiad. Ond, a ydych chi mewn gwirionedd yn credu fod yna
ewyllys o fewn y BBC yn gyffredinol i dderbyn y math hwn o
newidiadau? Rydym yn sôn am rywbeth sydd wedi bodoli dros y
rhan fwyaf o’r ganrif ddiwethaf. Roedd Elan Closs Stephens
o’r ymddiriedolaeth yn dweud wrthym ni mai peth diweddar iawn
oedd y cais yma am weld portread o Gymru ar y BBC, a’n bod ni
wedi bod yn canolbwyntio ar S4C a diogelu S4C. Nid dyna fy atgof i
o’r degawdau diwethaf; yn sicr, dros 20 mlynedd rwy’n
cofio’r alwad gyson yma am weld portread. A ydych chi’n
credu bod yna ewyllys o fewn y BBC i wneud hyn, a sut ydych chi yn
ymateb i ddatganiad James Purnell yr wythnos diwethaf pan roedd yng
Nghaerdydd yn dweud nad oes mwy o arian ar gyfer hyn yng
Nghymru?
|
Rhodri Glyn
Thomas: Thank you very
much, Chair, and thank you for your responses. In particular, thank
you to Professor O’Malley; I think you’ve written the
report on our behalf, and I really hope that we will include all
those recommendations in the strongest way possible within the
report. But, in reality do you think there is a will within the BBC
in general to accept these sorts of changes? We’re talking
about something that’s existed for most of the last century.
Elan Closs Stephens from the trust was telling us that it was a
recent thing to see this request for a portrayal of Wales on the
BBC, and that we’d been concentrating on S4C and safeguarding
S4C. That isn’t my memory of the last few decades; certainly,
over 20 years I remember this consistent call for this portrayal.
Do you think there is a will within the BBC to do this, and how do
you respond to James Purnell’s statement last week when he
was in Cardiff that there is no more funding for this in
Wales?
|
[318]
Dr
McElroy: Os
caf ateb, mae’n anodd iawn i siarad dros y BBC yn gyfan gwbl
o ran a oes yna ewyllys; rwy’n siŵr bod yna ewyllys mewn
rhai rhannau o’r BBC, yn sicr. Beth sy’n anodd ydy cael
gwybod a oes yna ewyllys ymysg y bobl yn Llundain sydd efo’r
pŵer i wneud y penderfyniadau. Beth sydd yn amlwg ydy bod
angen i’r BBC ymateb i’r gynulleidfa. Un o’r
pethau sydd yn fy nharo i ydy cyn lleied rydym ni’n sôn
amdan y gynulleidfa. Iddyn nhw rydym ni’n gwasanaethu. Iddyn
nhw rydym ni yma nawr. Yng Nghymru y mae’r rhan fwyaf, o ran
canran, o wrandawyr radio y BBC, er enghraifft—nid ydym wedi
sôn am radio hyd yn hyn—a fan hyn rydych yn gweld y rhan
fwyaf—eto, fel canran—o bobl yn edrych ar deledu y BBC.
Os ydy’r BBC eisiau parhau, fan hyn maen nhw yn cael y bobl
sydd fwyaf ffyddlon, a dweud y gwir, i ddarlledu cyhoeddus. Felly,
dylai bod ewyllys yna yn sicr.
|
Dr
McElroy: If I could
respond, it’s very difficult to speak on behalf of the BBC as
a whole; I’m sure that there is a will in some parts of the
BBC. But, what’s difficult to find out is whether people in
London who have the power to make those decisions have that will.
What’s clear is that the BBC does have to respond to the
audience. One of the things that strikes me is how little we talk
about the audience in this. We’re serving them. That’s
why we’re here now. Wales has the majority, in terms of
percentage, of listeners to BBC radio, for example—we
haven’t talked about radio until now—and it’s
here that you see the majority, in terms of percentage, watching
the BBC’s television programmes. If the BBC wants to
continue, it’s here that they have the people who are most
faithful to public broadcasting. So, there should be that will
there.
|
[319]
Mae’n rhaid i mi ddweud fy mod i’n drysu efo
Purnell a’r agwedd yma bod yn rhaid i ni
benderfynu—rhaid i ni benderfynu—beth ydym ni am golli.
Nid yw hynny yn ddigon da o bell ffordd, nac ydy? Mae’n rhan
annatod o’r BBC eu bod nhw yn cynnig gwasanaeth i bawb dros y
deyrnas, ac felly mae’n rhaid iddyn nhw gael hyd i ffordd o
sut i weithredu ar hynny. Rwy’n credu bod yna le, i fynd yn
ôl at beth ddywedodd John, i edrych eto ar ddulliau comisiynu.
Nid yw hyn wastad yn rhywbeth o ran arian; mae’n rhannol am
sut mae’r arian yn cael ei wario ar gomisiynu rhaglenni.
Felly, mae yna fodd i’r BBC fod yn fwy creadigol. Mae’r
BBC wedi dangos yn barod, unwaith eu bod nhw’n penderfynu bod
yn rhaid iddyn nhw newid—drwy’r strategaeth
‘out of London’—maen nhw’n gallu
gweithredu ar hynny. Felly, gofyn iddyn nhw sydd rhaid i gario
ymlaen efo’u gwaith nhw a gweithredu o ran portread a
chomisiynu, achos mae hyn yn bwysig nid yn unig ar gyfer y
diwydiant creadigol yng Nghymru, er bod hynny yn bwysig dros ben,
ond mae hyn yn cael effaith ar y celfyddydau a’n bywyd
cyhoeddus ni i gyd. Felly, Bethan, pan roeddech yn gofyn beth
yw’r gost os nad yw hyn yn digwydd, mae yna gost i’r
celfyddydau yng Nghymru. Mae yna gost i’r gwasanaeth iechyd
yng Nghymru. Mae yna gost i addysg, yn sicr, yng Nghymru. Nid yw
hyn yn unig yn fater diwydiannol ac economaidd.
|
I have to say that
I’m confused by Purnell’s attitude that we have to
decide—we have to decide—what we want to lose.
That’s not good enough at all, is it? It’s an
inextricable part of the BBC that they offer a service to everyone
across the United Kingdom, and so they have to find a way of doing
that. I think there is room, to go back to what John said, to look
again at commissioning processes. This isn’t always something
that’s about funding; it is partly about how the funding is
spent on commissioning. So, there is a way for the BBC to be more
creative. The BBC has shown already that, once they decide that
they have to change, through the out-of-London strategy, they can
implement that. So, it’s about asking them to continue with
that work and to take action in terms of the portrayal of Wales and
commissioning, because this is important not just for the creative
industries in Wales, even though that is very important, but it
also has an effect on the arts and on public life for all of us.
So, Bethan, when you asked about what the cost of this not
happening would be, there is a cost for the arts in Wales.
There’s a cost for the health service in Wales. There’s
a cost for education, certainly, in Wales. This isn’t just an
industrial and economic matter.
|
[320]
Christine
Chapman: Angela.
|
[321]
Ms
Graham: Thank you. I know
that your inquiry is about the BBC, but just to add to what Ruth
has said, it shouldn’t be detached from public service
broadcasting in general. In listening to the earlier sessions, I
noticed there was very little discussion about radio. So, I know
the inquiry is about the BBC, but it should be seen in the context
of how the BBC interacts with commercial radio, for instance, with
the public service work that ITV Wales is obliged to do, with S4C
as a public service broadcaster, with Channel 4 in Wales and with
Channel 5 as a public service—it has some remits as well. So,
I would encourage you in inquiring into the BBC to see it as part
of a holistic service to Wales.
|
[322]
I also
note that not very much has been said in your sessions about the
cultural activities of the BBC in Wales: its orchestra, its work on
diversity—it is an extremely important role model in terms of
diversity in the broadcasting and media industries—its work
with culture in general, its work with young people, its work with
citizenship. If I could just add, again, to what Ruth has said, if
I were the director of the BBC, I would try to do my job well and I
would have to give resources to where there was a demand for them.
So, the media industry can ask for everything it wants, but unless
that demand is seen to be coming from other parts of society in
Wales—and perhaps in particular from its politicians—if
I were Tony Hall, I would have to put my resources where people
said they wanted them. So, this is another argument for the
politicians in Wales to give the media the respect and the scrutiny
they need by having an ongoing basis on which to form policies.
Because it’s holistic—it all works together.
|
[323]
Christine
Chapman: Thank you, Angela.
Tom.
|
[324]
Professor
O’Malley: Purnell implies
that this is a matter of financial decision making at the BBC;
however, in the summer, the Government took a major set of
decisions about the financial direction of the BBC, not least of
all saying that the BBC licence fee for the over-75s should be now
paid out of BBC funds. Other examples of that can be cited. So,
it’s quite clear that questions of financial strategy,
despite Mr Purnell’s statement, are not just internal
questions about the allocation of resources—there’s a
political dimension. It’s clearly about governance. What
needs to happen is that there should be structures of governance in
place that allow for requests of the sort that we’ve been
discussing about funding for the BBC to be made properly,
transparently and openly so that the reasons for acceptance or
rejection can be clearly made.
|
[325]
Finally, the
argument that this is a financial matter and not a matter of broad
governance seems to me to be rather perverse coming from an
organisation that is a public organisation, which has public
responsibilities and which, unfortunately, does not have sufficient
mechanisms for accountability within it for some of those
responsibilities to be properly exercised. I would also say that
about Ofcom as well.
|
[326]
Christine
Chapman: John, did you want
to come in?
|
[327]
Dr
Geraint: I recognise
Professor O’Malley’s description of groundhog day; I
also know that the BBC can change. The director general is an
honourable and distinguished public servant. He’s made a
statement about the lack of English-language provision in
television here in particular. I’m sure he wouldn’t
want anyone to get the impression that he was simply raising the
legitimate concerns and interests of the people of Wales in that
regard as a bargaining chip during any licence fee negotiation,
only to be discarded once a settlement was made. So, the committee
will have an opportunity to allow him to clarify that assurance,
I’m sure, next week.
|
[328]
The
BBC can change. Dr McElroy’s work at Roath Lock is one
example of that. That was driven not solely by any creative
impulse; it was driven by some very specific targets that were set
internally in the BBC. When I was at the BBC in the late 1990s, I
worked with Mark Thompson, who went on to become director general,
to look at the proportion of factual programmes that were
commissioned outside England. We discovered, to Mark’s
horror, that it was less than 1 per cent at that time—less
than 1 per cent of all BBC factual programming on network
television came from outside England. As a result of that, we put
in place a number of escalating targets, which results by now in a
much healthier proportion of such programming being made outside
England. The focus now, as I’ve said, moves on to portrayal.
I think what we need to do is to ensure that, written in to the
BBC’s commissioning architecture are specific requirements,
specific targets—measurable targets—in terms of
portrayal. I think the kind of overall political pressure that
Angela has been talking about in terms of ensuring that the
BBC’s feet are held to the fire on that is absolutely crucial
at the moment.
|
[329]
Christine
Chapman: Thank you.
Rhodri.
|
[330]
Rhodri Glyn Thomas: Dim
ond i ddod yn ôl ar hynny, ac a gaf ategu’r hyn a
ddywedodd Angela Graham am yr agweddau mwy cyffredinol ar
weithgaredd y BBC? Roeddwn i ym Mhatagonia yn ddiweddar pan oedd y
gerddorfa yno yn gwneud gwaith gyda chôr ieuenctid Cymru, ac
roedd yr hyn a gyflawnon nhw yn anhygoel, a’r gweithdai
roedden nhw’n gwneud, ac yn mynd allan i’r gymuned, ac
mae hynny’n eithriadol o bwysig.
|
Rhodri Glyn
Thomas: Just to come back
on that, and may I endorse what Angela Graham said about the more
general aspects of the BBC’s activity? I was in Patagonia
recently when the orchestra was there doing work with the Wales
youth choir, and what they achieved was amazing, and the workshops
they did, and going out to the community, and that is exceptionally
important.
|
[331]
Rwy’n dod i’r casgliad, o’r hyn yr ydych
chi’n ei ddweud, nad yw’r datganiad a ddaeth o’r
ymddiriedolaeth—mai’r hyn a oedd angen ei wneud oedd
newid geiriad diben cyhoeddus y BBC ar gyfer y gwledydd a’r
rhanbarthau i ddweud bod angen darparu mwy o gynnwys sy’n
diwallu anghenion y gwledydd a’r rhanbarthau, yn hytrach na
jest eu cynrychioli nhw—yn ddigonol, a bod angen llais cryf,
unedig o Gymru i bwyso. A oes yna berygl gwirioneddol, pan fo
galwadau’n mynd i ddod hefyd o wledydd a rhanbarthau eraill y
Deyrnas Unedig? Er enghraifft, maen nhw’n cymharu ni
â’r Alban, ac mae yna lais cryf iawn yn dod o’r
Alban ar hyn o bryd, yn galw am y gynrychiolaeth a’r portread
hwnnw, ac mae yna berygl nad yw llais Cymru yn mynd i fod yn ddigon
cryf yn y gystadleuaeth honno.
|
I come to the
conclusion, from what you’ve said, that the statement that
came from the trust—that what was needed was to change the
wording of the BBC’s public purpose for the nations and
regions to say that there’s a need to provide more content to
meet the needs of the nations and regions, rather than merely
representing them—was not adequate, and that there is a need
for a strong, united voice from Wales to apply pressure. Is there a
real danger, when calls are going to be coming from other countries
and regions of the UK? For example, they compare us to Scotland,
and there is a very strong voice coming from Scotland at the
moment, calling for that representation and portrayal, and there is
a danger that Wales’s voice isn’t going to be strong
enough in that competition.
|
[332]
Ms
Graham: Mi
wnaf ateb yn Saesneg.
|
Ms
Graham: I’ll respond
in English.
|
[333]
Well,
you’ve got to speak and see what happens. It’s a good
question. But I wouldn’t worry about that; I would get your
act together, get the voice together and get it on
platforms.
|
[334]
Dr
Geraint: I think it comes
back to what Dr McElroy was saying about the audience, really.
Actually, we’re fighting on the same side here. We’re
fighting only for fairness, only for justice, only for what the
audience needs, the audience requires, to live in a civilised
society. And that is true whether you’re in Newcastle or
Edinburgh or in Penrhyndeudraeth. We need to make sure that our
voice is heard in that debate, for sure, but it’s not a
squabble about how we divide up the cake. It’s about, as
Professor O’Malley has been saying, governance, about public
purposes, about recognising that this is more than simply an
economic argument.
|
[335]
Christine
Chapman: Okay. Any other
comments before I move on to other questions?
|
[336]
Bethan
Jenkins: Can I just
ask—
|
[337]
Christine
Chapman: On this part,
Bethan.
|
[338]
Bethan
Jenkins: I’m just
confused, because, last week, when Elan Closs Stephens came in, the
lady that was with her said that they couldn’t define what
portrayal would be. Could you tell me what you think that the Welsh
portrayal would mean, so that we could properly reflect Welsh
life—for example, it would vary across Wales—so that we
understand, if that trust recommendation came to fruition, and if
checks and balances were put in place, what that would actually
look like, so that we could check against that to improve this
portrayal of Wales? Because it would vary substantially, I would
have thought, or perhaps I’m entirely wrong.
|
[339]
Dr
McElroy: Can I begin with
that? When was the last time you saw a programme where you heard
Welsh people talking, and that wasn’t Huw Edwards? When was
the last time you laughed because somebody spoke in a Welsh accent,
and it wasn’t funny because they were speaking with a Welsh
accent? When was the last time you watched a mainstream,
prime-time, hospital or crime drama that was based in Wales?
Portrayal is not complicated, not really. You know it when you see
it, because you just feel it; you take it for granted. You can have
mechanisms for understanding this, absolutely. There’s lots
of modes in which you can do this, and, actually, the King report
used some of these very research methodologies about quantifying
the number of times that you actually hear a different accent, the
number of times that particular locations are used, the number of
occasions when writers from Wales are the authors, either by
themselves or as a team of writers. There are several measures that
you can do and that can be flexible enough to recognise that
different genres of television programming do representation and
portrayal in different ways. Of all the problems that we’ve
got, I don’t think that’s high up on the list, to be
honest.
|
[340]
Christine
Chapman: Okay. And any
other comments? Angela.
|
[341]
Ms
Graham: Having seen your
earlier sessions, I’d just like to put on the record what it
is that we’re lacking. We talk about portrayal, but
that’s very general. So, I would say to you—. I think
Ruth has just used a very good example; I would ask you: when was
the last time you saw a programme about science made in Wales? Can
any of you remember seeing a television programme made in Wales
about Welsh science? And yet the Welsh Government is doing its duty
by the promotion and development of science. I can think of only
one in the last 25 years, and that was very recently this year,
when Carol Vorderman, as part of BBC Wales’s north Wales
documentary series, did a programme about engineering.
|
11:15
|
[342]
When
you bring it down to it, when did you last see agriculture dealt
with in English, or children's programming from Wales in English,
or religion dealt with from Wales in English? When did you last see
citizens who don't have English or Welsh as their first language on
screen being the subject of a documentary? There was a series about
Welsh-Italians, but, you know, the more one asks oneself,
‘What have I seen, and what have I heard?’, the gaps
come up and we really begin to see what it actually means. How many
arts programmes are there? When did you last see opera from Wales?
We have the Welsh National Opera. When did you last see dance from
Wales on television? Once you break it down into aspects of the way
we live, you begin to understand—sorry, I'm sure you already
understand—why this really matters. So, I just want to get
portrayal down to the nitty-gritty, and then you
start—
|
[343]
Bethan
Jenkins: That's what I
wanted as well, because I was feeling that it was quite
abstract.
|
[344]
Ms
Graham: It's not
abstract.
|
[345]
Dr
McElroy: It isn't abstract,
and I think, also, research that I conducted with Professor Steve
Blandford back in 2009-10, when we were asked by the BBC Audience
Council Wales, working with the BBC Trust, at that point, where
there were already concerns—and, my goodness, things have got
worse since then—about the fact that, yes, it was great to
see Doctor Who and Torchwood and so on, but where was
this question of representation? And the audience research we did
was really unanimous: people want to see themselves reflected on
television screens. They value it enormously when they are
reflected there. And, if anything, what the most recent Ofcom PSB
review demonstrates is that that demand from audiences to be
represented is increasing. Arguably, that's one of the many
consequences of devolution, that there is a greater expectation
that that should be happening. So, the kind of level of
disappointment, I think, from the audience is increasing, which is
why I think the BBC should be responding, because that's not a
position that any organisation, public or private, wants to be
in.
|
[346]
Christine
Chapman: Before I bring
Peter in, are you saying—I think you probably are, but are
you saying—that there's more of a responsibility on Welsh
Government to ensure that they are putting pressure on
the—?
|
[347]
Dr
McElroy: Absolutely. As the
elected representatives of Welsh citizens, I think there's a real
responsibility for Welsh Government and for the National Assembly
to monitor, but also to call to account. Accountability, to my
mind, is absolutely key here.
|
[348]
Dr
Geraint: If I could take,
if I may, just one small example of the long list Angela gave you:
children's programming. S4C has a terrific children's service in
the Welsh language. We, as a company, are one of the companies that
contribute towards that. We've just been nominated for a kids'
BAFTA award across the UK. The whole channel is nominated for
Channel of the Year at that BAFTA UK ceremony, and yet children's
programming in the English language does not exist in Wales. So,
going back to where we were as teenagers, children growing up in
Wales, unless they speak Welsh, don't hear themselves reflected
back to themselves in the way that they should do. BBC has just
said that it wants to reserve the children's area outside of BBC
studios because it's concerned that it wants to go on commissioning
its own in-house staff in that regard. We’ve found it very
difficult to break into that market—it’s commissioned
from Salford, as it happens, up in Manchester—despite the
fact that we and others have very long track record of making
children’s programmes in the Welsh language. There’s an
obvious opportunity there, I think.
|
[349]
Christine
Chapman: Okay, thank you.
Now, I've got a number of Members. I know time is moving on very
quickly. I’ve got Peter, then John, then Gwyn,
so—.
|
[350]
Peter
Black: I just want to
make a very quick point. To be fair, I've seen Countryfile
and Michael Portillo’s railway programme set in Wales, and
quite a few programmes from Wales, but when we had the trust in
front of us, they kept falling back on Hinterland as an
example of a network programme. My point was that it was on BBC
Four, and isn’t it the problem that, when you do get
programmes that do reflect Wales, albeit, you know, commissioned by
S4C in partnership with the BBC, they’re marginalised on
those lesser-known, less popular channels?
|
[351]
Dr
McElroy: Absolutely. I
think, you know, the real measure of inclusivity is what's on BBC
One in prime time. I think, actually, if you are completely absent
there, that's a major, major failing.
|
[352]
Christine
Chapman: Okay. Thank you.
John.
|
[353]
John
Griffiths: We've heard, I
think, some strong arguments in terms of how Wales needs to beef up
its act, as it were, in terms of stating its view on these matters
and getting its voice heard and exerting pressure. One part of
that, I guess—and, perhaps, on this, we're playing catch-up
in terms of what devolution has brought to Wales, Chair, as perhaps
we are in general in terms of devolution is quite young and
we’re still building capacity in all sorts of ways to develop
civic society, pressure groups, you know, research capability and
so on. I'm just wondering, really, whether, at the IWA conference
or elsewhere, there was much discussion of how Wales as a whole
might be mobilised more in terms of making its voice heard on these
matters. We heard earlier that there are some mechanisms in place,
feeding through viewers’ and listeners’ views as to
what should be the content of programming, but, you know, that's
obviously quite restricted and narrow. It just seems to me that
civic society and others in Wales need to make their voices heard
on this—and, hopefully, the citizenry as a whole. I'm sure
there are various ways of doing that. People in Wales are paying
their licence fees, just as they are all over the UK. Nowadays,
there are all sorts of e-petitions circulating on all sorts of
matters, and I'm just wondering whether you’ve got any sense
of that sort of development—you know, a sort of broader
recognition of these issues and an expression of concern within
Wales.
|
[354]
Christine
Chapman: Shall I bring Tom
in first on that one?
|
[355]
Professor
O'Malley: The point I made
about a standing committee of the National Assembly for Wales: it
wouldn't just be a group of specialists from broadcasting or
academia or politics sitting around talking about things; it would
have a remit to include members of civil society on a rotating
basis, so that organisations were represented. It would have a
remit to consult with those bodies, and it would have a remit to
conduct research on top of the research that's done by Ofcom and
the BBC, and to critique that research as well. So, it's a small
proposal; it wouldn't change the world, but it would provide an
avenue through which some of the issues that you've raised could be
systematically and regularly voiced within the context of a
research base that could then be used to help with
policy.
|
[356]
Christine
Chapman: Okay.
Angela.
|
[357]
Ms
Graham: A couple of
points. It’s struck me, over the years, how many of the
concerns that affect the media you will also hear from people in
the arts and cultural organisations. There's a great overlap there.
So, the IWA has invited some of the major arts and cultural
organisations in Wales to follow up on an article that David
Anderson of Amgueddfa Cymru published recently called ‘The
Centre-Periphery Game’. I don't know if you've read it, but
it's well worth reading, and it's on the IWA website, where he
makes the same arguments. So, we are working to try and get those
voices together at an institutional level, which is not quite what
you meant, but that's important nonetheless. Also the Voice of the
Listener and Viewer is an organisation that was referred to in an
earlier session, and I think it's worth noting that, if you look at
their response on these issues, Wales gets only the slightest
mention. So, the IWA is liaising with the Voice of the Listener and
Viewer to raise their level of understanding of what is going on in
Wales, because that's a fruitful way of doing it. Of the group of
people who are currently advising the Westminster Government on
these matters, one of them is, I think, the president of the Voice
of the Listener and Viewer. But since we know that Welsh issues are
not high up the VLV’s agenda, it's important to help them
rise up. There's a great deal of work to do, and it's just
enormously helpful that Welsh Government and politicians are seen
to be exercised about this. So, for instance, we very much welcome
Welsh Government's request for an extra £30 million recently,
because that's a demonstration of understanding and
commitment.
|
[358]
Christine
Chapman: Okay, thanks.
John.
|
[359]
Dr
Geraint: If I may say so as
well, devolution is young, but I spent most of my BBC career
pre-devolution, and if it's difficult now to argue these cases,
boy, was it difficult without a democratic institution like this
one. I really value the privilege of coming to talk to you today.
You are our democratic representatives here in Wales. You are the
people of Wales in this regard. The kind of anger I was talking
about, if I may, you are the people to express it. You are the
people who should get behind this campaign. That's what you're here
for; that's why we elect you. To have this forum is hugely
valuable; it makes a huge difference. There are young people all
over Wales who are not hearing their stories told, who are not
seeing their lives expressed in a rounded way—in a way that
makes them feel valued in civic society, in a way that they see
other people are, whether it’s in America or whether
it’s in privileged parts elsewhere in the United Kingdom. You
should be expressing their voice. That’s what you’re
here for. That’s what this debate is about.
|
[360]
Ms
Graham: And you do meet
them. We know that you meet a wide range of people.
|
[361]
Christine
Chapman: Thank you. I think
that’s a very good point. Gwyn, I think you had a question
that brings—
|
[362]
Gwyn R.
Price: Yes. Good morning.
To what extent is the BBC currently fulfilling its public purposes
with regard to Wales? Other than the increase in funding, how
should the next charter address the issue of BBC output in
Wales?
|
[363]
Christine
Chapman: Who would like to
start? Ruth, do you want to start?
|
[364]
Ms
Graham: That’s a
very broad question.
|
[365]
Dr
McElroy: It’s all in
there. [Laughter.] No. It is, I think, not clearly
fulfilling all equally. To reiterate, as I said before, I think
that there is evidence that the BBC is very adept at being able to
change its ways when it decides that it needs to do so when it
feels pressure to do so. But I think in areas of commissioning, in
terms of thinking very carefully about how, with regard to radio in
particular, the move to digital radio is actually managed and how
the particular needs and the particular geography of Wales is taken
into account in making those decisions, I’m not confident at
the moment that the BBC has fully grasped that or has made
sufficient tangible commitments to really understand that, before
we move on to that next digital phase of radio. So, to that extent,
no, I don’t think it is fulfilling all of its obligations.
But it is valuable that a commitment to representing the diversity
of the UK, including the nations and regions specifically, is very
important to have in its purposes. I think diversity, as a term
alone, is too broad to be productive and helpful to us here. It
rightly includes a range of other forms of representation,
including gender, sexuality, ethnicity and so on. So, I think there
really has to be a very precise sense of commitment to serving the
nations and regions in the public purposes of the BBC.
|
[366]
Christine
Chapman: Angela.
|
[367]
Ms
Graham: I could give a
very precise answer to your question if you wished me too, but it
would take me some time, because we’ve got this list of
recommendations—. I could read them out to you. I could say
this, this, this, this, this, this—
|
[368]
Gwyn R.
Price: You’ve got
30 seconds. [Laughter.]
|
[369]
Ms
Graham: You can stop me
when—. [Laughter.] Just on radio, digital audio
broadcasting coverage in different parts of the UK should be
assessed before any decision is taken to switch off FM or BBC Radio
Wales’s medium-wave frequency. Radio regulation in Scotland,
Wales and Northern Ireland should be devolved to the Ofcom advisory
committees in the nations. The abandonment of local content
requirements for DAB services should be reconsidered. The Welsh
Government and Ofcom should collaborate to explore the feasibility
of a radio-based independently financed news consortium for Wales.
The BBC should provide an opt-out news service for BBC Radio 1 and
BBC Radio 2. That’s a very interesting one, because BBC Radio
2 has very high listening numbers in Wales. So, why can’t it
have more Welsh material on it? Some part of the additional funds
for BBC Wales should be devoted to strengthening its radio output
and creating a flexible mix of on-demand radio output.
|
[370]
Then
we have lists of what could be done online. The Government should
support the BBC’s proposal for an interactive online service
for Wales. We’ve talked about television portrayal but, of
course, as you know, many people access product on devices. The
iPlayer service for Wales—there’s room for improvement
there. BBC Wales should be accessible on the main iPlayer
site’s homepage. You should be able to find BBC product very
easily and very quickly—that’s something accessible.
The Government and Ofcom should explore options for new sources of
revenue that could support a contestable production fund. I could
go on, you know—
|
[371]
Gwyn R.
Price: Yes, but with all
these things you’ve just said there, would that mean
increased funding, because increased funding seems to be a major
obstacle?
|
11:30
|
[372]
Ms
Graham: Well, since I know
that you all know that there have been many funding cuts,
we’re starting from down here. So, of course, more funding is
necessary. The Welsh Government itself has asked for extra funding.
So, yes, Mr Purnell in the media summit last week could only keep
saying that we need more debate and that we need to think more
creatively. So, really, it’s political pressure that needs to
go and say, ‘Okay, we want more money’. The Welsh
Government has already said that. If that’s not forthcoming,
what does the Welsh Government want to do about that? What will be
the political response to that? If the BBC keep saying,
‘There is no more money’—. Mr Skates said at the
summit that he was open-minded about the media advisory capacity,
but there is no more money. So, there are a number of positions
there. Yes, more money is needed. If there’s no money, are
you going to fight for reallocation of money on behalf of Wales,
and where do you see the money as needing to go most? That’s
a discussion that has to happen.
|
[373]
Christine
Chapman: Okay. I’ll
bring in John and then Tom. John.
|
[374]
Dr
Geraint: Someone once said
that the point is not to describe the world but to change it. But
you have to have both; you have to have a description. This audit
that has been done is a marvellous resource that this committee can
use, I think. I heard the earlier session where you were asking for
facts and figures, you were asking for correspondence, and you were
asking for detail about that. That’s there and available to
you, together with a long list of recommendations about what we
should do to change things. I really would commend this audit as
something that you should consider in detail, really, as a
committee.
|
[375]
Christine
Chapman: Before I bring Tom
in, I think the point that you are making is that the cost of not
doing this is this impact of not providing a voice for everyone in
Wales. I think that’s the general point, really, that you are
making, isn’t it? That’s the cost. That’s what we
need to do, I suppose. Okay. Tom.
|
[376]
Professor
O’Malley:
Can I
just address what I think is the second part of the question, which
is what happens to governance in charter renewal? It seems to me
that whichever body within this Assembly or Welsh Government that
has prime responsibility for monitoring the proposals in the White
Paper next spring needs to look very closely at the levels and the
nature of Welsh representation within the structure of governance
at the BBC. I say that because my reading of the situation at
present is that there is a likelihood that the trust will go; that
there will be some kind of executive body to run the BBC; and that
oversight and governance of the BBC will be outsourced to some
other organisation, possibly Ofcom. I think that is very, very
serious if it does happen. I think it is really important that any
change to the overall structure of governance at the BBC is done
within the context of enhanced accountability rather than
diminished accountability in the interests of executive speed and
commercial decision making, as important as that is. If the BBC is
to be put under Ofcom, it’s a long argument, but
Ofcom’s governance and aims and purposes would need to be
radically reformulated in order to make sure that the BBC was not
being put under a body whose raison d’être is to promote
commercial values within the media sector. It has other
responsibilities as well, but that is at its core. So, in answer to
your question, look carefully at what is being proposed, not just
specifically about Wales but within the overall context of the new
governance structures.
|
[377]
Christine
Chapman: Okay. I’m
very conscious of time. It’s a fascinating discussion, but we
have got 10 minutes more and that will be the maximum. I know some
Members haven’t come in yet, so I want to bring those Members
in. I’ve got Peter, Mike and Janet. So, I’ll start with
Peter.
|
[378]
Peter
Black: Just a small
declaration of interest before I ask this question: I am a member
of the IWA. The IWA media audit includes the recommendation that
the BBC investment in Wales should increase by £30 million,
which, of course, the Minister has also taken up as well. How was
that figure actually arrived at?
|
[379]
Ms
Graham: Well, now,
you’ll have to ask the Welsh Government. You know—.You
don’t know?
|
[380]
Peter
Black: No.
|
[381]
Dr
Geraint: My understanding
was that it was arrived at in discussion between some key players
in the Government and some key players in the media
sector.
|
[382]
Peter
Black: So, is it based on
an assessment of what’s needed in Wales or is it based on an
assessment of a proportionate amount of income that the BBC spend
now that we think Wales should have?
|
[383]
Dr
Geraint: I think, to be
fair, it’s based on a reasonable assessment of what it would
take to address those genres in English-language television that
aren’t currently being addressed.
|
[384]
Peter
Black: Right, so
it’s not just 5.9 per cent or something like that,
no?
|
[385]
Dr
Geraint: I don’t
think so.
|
[386]
Ms
Graham: No.
|
[387]
Peter
Black: Okay,
fine.
|
[388]
Bethan
Jenkins: We could ask the
Minister. Perhaps we could—
|
[389]
Christine
Chapman: Yes, we could
pursue that, I think.
|
[390]
Peter
Black: Yes.
|
[391]
Christine
Chapman: I think
we’ll pursue that.
|
[392]
Peter
Black: I wasn’t
clear whether it was an IWA figure or a Government figure or a
combined figure—
|
[393]
Ms
Graham: It’s a
Government figure.
|
[394]
Peter
Black: A Government
figure, right, okay. Then, the other issue: the BBC Trust claim
that savings that BBC Cymru Wales have had to make since 2010 are
not disproportionate. I think I know the answer about what you
think of that, but, you know, feel free
to—[Laughter.]
|
[395]
Dr
Geraint: Again, there was a
bar chart shown at the conference last week that showed that, in
terms of English-language provision in television, they have been
disproportionate. What tends to distort the figure is the baseline
for funding in S4C, which, in my recollection, was arrived at
because of a specific increase in the licence fee, way back when
S4C was established, to take account of the 520 hours that the BBC
was obliged to provide for S4C.
|
[396]
Peter
Black: Okay,
right.
|
[397]
Christine
Chapman: Any others? No.
Okay. I want to move on to Mike. I know Alun after Janet wants
to—. Mike you come in first.
|
[398]
Mike
Hedges: I’ll pass
and let Alun have more time because I think he’s got some
very interesting points to raise.
|
[399]
Christine
Chapman: Well, shall I
bring Janet in first because Janet hasn’t been called yet?
So, Janet and then—
|
[400]
Janet
Finch-Saunders: To be honest, the
questions set for me—. I mean, for me, having taken
evidence—. This is the second inquiry now, and we’re no
further forward than we were with the first one, but I felt today
that the Minister was—. I mean, I do think we have a part of
scrutinising through committee and what have you. I felt that the
Minister was trying to pass the buck for some of the challenging
that they should do as a Welsh Government. But my question is: how
successful do the panellists think the Welsh Government has been at
representing Welsh interests during the charter renewal process? I
think you’ve touched on it, really. There needs to be far
more robust challenging and accountability. I get the message, but
if there’s anything more you want to add on that,
really—. What more should the Welsh Government be
doing?
|
[401]
Dr
McElroy: I think one
thing—. Last week, during the course of the media Summit, I
was interviewed by Steve Hewlett on Radio 4’s The Media
Show, and his final question was, ‘Isn’t this
really a problem of the Welsh politicians?’, which is an
annoying question because, ultimately, it would be great to be able
to respond and say, ‘Actually, no, because this is what Welsh
Government has done: they’ve done this, this and this.’
So, I think in a sense it’s too easy for critics to sort of
hear what we are arguing as a mere Welsh Celtic complaint to
actually point the finger at Welsh politicians and, in a sense, you
need to give us as well as the people of Wales the ammunition to
say, ‘No, that one really won’t do. That is nowhere
near adequate. That’s not the point.’
|
[402]
Dr
Geraint: To return to an
earlier point, I think the Welsh Government has done an enormous
amount of spadework in helping put the creative industries here in
a position to compete across the UK and internationally. The
development work that’s gone in, the training that has gone
in, the facilities that are here now and the experience that
we’ve built up over the decades, as well as recently, put us
in an absolutely terrific position to exploit opportunities that
are given to us. So, it just makes sense for that other side of the
coin also to be shown at the moment.
|
[403]
Dr
McElroy: Yes.
|
[404]
Ms
Graham: Yes, I’d
endorse that.
|
[405]
Christine
Chapman: Okay.
Tom.
|
[406]
Professor
O’Malley: I think it’s
perfectly understandable why the Minister and the Government have
done what they’ve done, because it is not devolved because
there is a culture, which has grown up and that I’ve observed
over the years, which says, ‘We’ll go so far but no
further.’ So, I think that’s perfectly understandable.
I would have liked to have seen a much more robust position taken
very early on in this process by the Welsh Assembly Government.
That hasn’t been the case for the kinds of reasons everybody
knows, but there is an opportunity, I think, once the White Paper
is published in the spring. I would certainly want to see the Welsh
Government make representations to ensure that there is a lengthy
consultation process after the White Paper is published so that
it’s not just published, a six-week debate, rubber-stamped
and then just done.
|
[407]
Within
that context, the Welsh Assembly Government could involve civil
society on a broader scale in responding to that document and
coming up, therefore, with its own co-ordinated response to what is
in the charter. Because it seems to me very odd that there’s
a very lengthy consultation procedure going on now and no clarity
about the length of the procedure.
|
[408]
Janet
Finch-Saunders: I know. I was
going to pick that up.
|
[409]
Professor
O’Malley: I do think
it’s important. I heard Secretary of State Whittingdale talk
about this. I think it was to Steve Hewlett a little while back. He
was pressed on how long there will be after the publication of a
White Paper for consultation, and he was very unspecific. So, I
think it’s an opportunity for the Welsh Government to ask for
a longer period of consultation and then, using what resources
it’s got, to convene elements within civil society to make a
full Welsh response to the proposals, rather than the speculations,
which are in the public arena.
|
[410]
Janet
Finch-Saunders: Yes. Okay.
That’s good. Thank you.
|
[411]
Christine
Chapman: Angela.
|
[412]
Ms
Graham: I noticed, in Ken
Skates’s letter to you on 4 November, that he mentioned a new
charter contract for Wales. It would be good to know what is meant
by that. Can I also mention press and online newspapers?
That’s changing rapidly. The BBC in Wales is a major provider
of news, but the news provision from newspaper outlets is changing
as well. We cannot ignore that synergy and convergence. Again,
it’s changing the mindsets, because we can’t just talk
about television; it’s got to be all the platforms together.
So, it’s an increasingly sophisticated menu that you’re
having to deal with. The role of the market is very important. It
would be important for politicians to have views on how well the
market has served Wales and how much it hasn’t. Wales is in
danger of becoming supplied by an insufficient plurality of voices,
isn’t it? We have so many basic problems to deal with, and
yet there’s this additional pressure. What is the market
doing for Wales and its media? What must public service do for
Wales and the media?
|
[413]
Christine
Chapman: Okay. Thank you.
Alun, you wanted to come in.
|
[414]
Alun
Davies: I very much agree
with your final points there, Ms Graham. It could take us to a
whole other hour of discussion and debate, at least. I’m
aware that time is moving on, so can I just put two issues to you,
as a panel? We spent a great deal of time this morning outlining
some of the weaknesses that we’ve identified with current BBC
operations and the way that it functions. That’s fair, right
and proper, but we need also to put in place not just a changed
policy or a changed approach, but re-engineer the BBC. If what
you’ve described is so fundamental, then simply changing a
policy will not sufficiently change the way that the BBC operates.
Professor O’Malley, you’ve said in your evidence to us
that you would like to see a more federalised structure, with a
Welsh broadcasting council, as you’ve described. I’d
like to ask the panel two questions. First of all, in terms of the
BBC itself and its structures, do you believe that that federalised
model is the way forward, and how would you describe it? I know, Dr
Geraint, you’ve said that in some ways about commissioning.
Would you see that in a wider sense? If, therefore, we’ve got
a more federalised model of operation and management of the BBC
within its structures, do we also then need a more federalised
accountability? At the moment, broadcasting is not devolved to
Wales, although we do have—I think—a wholly legitimate
interest in the subject area; but if we are to have fundamental
issues of accountability built into any new structure, then that
has to be reflected within a constitutional settlement as well. I
don’t see how it would operate without doing so. So,
I’d like to ask you those two questions about the structure
of the BBC, and then the structure of the accountability of the
BBC.
|
[415]
Christine
Chapman: I think that,
obviously, these are fairly fundamental questions. It would be
quite good to end on this because, obviously, time is—. So,
anyway, how does the panel feel about this? Is it straightforward?
Tom O’Malley.
|
[416]
Professor
O’Malley: It’s mixed
up. You have a structure of accountability, which enables the
restructuring of the BBC in Wales. I think it’s sadly
unlikely that the new charter will allow for that, but I do think
it is something that can be pressed for consistently over time. I
think it is not beyond the ability of people in Wales generally,
and people who think more specifically about this, both to
delineate what a new BBC structure might be in relation to its
internal operations—and it’s already got some of that,
anyway, that you could build on—and to consult on that. I
think, on the structures of accountability, that, too, is something
that should be subject to consideration by bodies such as this and
by civil society in general, and you’re never going to come
up with a perfect model, but you can move forward.
|
11:45
|
[417]
Just
to finish, I’ll go back to Beveridge. It was arguments like
this in Beveridge that led to the establishment in 1951 of—I
think it was the Broadcasting Council for Wales, which has been
sort of stripped away and removed. Back then, there was a desire to
see a greater degree of devolution in accountability and decision
making. I think it’s even stronger today, but I’d
hesitate before putting forward a clear blueprint now. I think
it’s something that should be consulted on, but definitely
something that should be thought about, urgently.
|
[418]
Christine
Chapman: Thank you.
Angela.
|
[419]
Ms
Graham: I think
there’s the ideal; there’s what’s achievable in
the long term and what’s achievable immediately, and I think
some of the achievable things could answer your second question. We
haven’t had time, really, to talk about a service licence for
Wales and what that would look like. I think if there were time,
there would be the ingredients there. There could be a mechanism by
which the Assembly asked the broadcasters to submit an annual
report—not the annual report of each channel, because that is
always somewhat of a PR exercise, quite understandably, but an
annual report done to your requirements. That would be relatively
easy. That’s a measure of accountability that could be worked
up.
|
[420]
So,
that’s one thing. If I could just remind you, the monitoring
and analysis, that would increase—. That’s not
devolution, but it’s more knowledge, more contact; it’s
a step in a good direction. And some mechanism to deal with issues
that come up. I know I’m repeating myself, but I think
it’s important. Then, we’d be looking at how far you
can go and what’s achievable without going to devolution in
terms of taking responsibility for media issues.
|
[421]
I
think it’s very encouraging—I hope can speak for all of
us, but tell me if not—that this whole process makes somebody
like me feel much more encouraged. We can really see, in listening
to your debates, that you do get it. Somebody asked us on Radio
Wales last week, ‘Do ‘they’ get it?’ I
thought it was an interesting question. It’s wonderful to see
this developing.
|
[422]
Christine
Chapman: Thank you.
Ruth.
|
[423]
Dr
McElroy: To my mind, this
is a classic instance of where, actually, it would be really good
to be able to get some evidence about how, in different countries,
including in Europe—. I’m thinking particularly about
Germany that has a very interesting model, and how, historically,
it has had public service broadcasting that is federal and that is
obliged and positively does represent the different states of
Germany.
|
[424]
So, I
think that there are models that we could be looking to as part of
that evolution of devolution, and understanding that it isn’t
likely to be one single step, but we can look at that. As I said
earlier on, on Monday this week, I had the privilege of hosting
colleagues from across Europe who are looking at TV production in
small nations. They came from Norway, from Denmark, from Belgium
and from Ireland. These are common concerns and there’s an
awful lot of work and policy review happening in these countries,
many of which, as in Denmark, feel and have articulated a pressure
to produce beyond the centre. One of the people who came to speak
was the producer of a new drama, Norskov, which was produced
because the provinces and the politicians in the provinces of
Denmark place considerable pressure on the Danish Government to
move beyond Copenhagen. So, we have commonality. There’s a
kind of shared purpose there. I think, on these models, both how we
might commission but also how accountability can happen, we could
be having a useful review of different models there. That might
also help the BBC in its thinking.
|
[425]
Bethan
Jenkins: Let’s hope
those programmes come to Wales as well.
|
[426]
Dr
McElroy: Yes.
|
[427]
Christine
Chapman: That’s
useful. We were going to ask about the models, as well.
John.
|
[428]
Dr
Geraint: Gosh, we’ve
given the BBC a good kicking this morning, haven’t we?
[Laughter.] Look, the BBC does marvellous things. It does
marvellous things in Wales and for Wales. The audience responds to
that and appreciates it, and we mustn’t forget that. The
governance issues, we’ve covered, and they should be
addressed, but I would say, even in the absence of a major change
in governance, there are things that the BBC can and should do
better. I think you do get it. I mean, you’ve had discussions
here about structural failures in the BBC with regard to network
drama commissioning and the portrayal of Wales, for example.
You’ve put your finger on the issues. I think the BBC can be
encouraged, made or required to change policy, even in the present
structure, in ways that are helpful to Wales. I think it’s
identifying those issues as well as engaging in the broader
debate.
|
[429]
Christine
Chapman: Thank you. Well, I
think, at that point, we’re going to have to close this part
of the session. Can I thank all of you as witnesses? I think
it’s been an excellent session today and it’s certainly
raised issues for us as Members, so thank you all for attending
today. We will send you a transcript of the meeting so that you can
check it for factual accuracy. So, thank you for
attending.
|
11:51
|
Papurau i’w Nodi
Papers to Note
|
[430]
Christine
Chapman: Before I close the
meeting, I just want to mention to Members that there are papers to
note.
|
Cynnig o dan Reol
Sefydlog 17.42 i Benderfynu Gwahardd y Cyhoedd o Weddill y
Cyfarfod
Motion under Standing Order 17.42 to Resolve to Exclude the Public
from the Remainder of the Meeting
|
Cynnig:
|
Motion:
|
bod y pwyllgor yn penderfynu gwahardd y cyhoedd o weddill y
cyfarfod yn unol â Rheol Sefydlog 17.42(vi).
|
that the committee resolves to exclude the public from the
remainder of the meeting in accordance with Standing Order
17.42(vi).
|
Cynigiwyd y cynnig. Motion moved.
|
|
[431]
Christine
Chapman: Can I now invite
the committee to move into private session to discuss the
evidence?
|
Derbyniwyd y cynnig.
Motion agreed.
|
|
Daeth rhan gyhoeddus y cyfarfod i ben am 11:51.
The public part of the meeting ended at 11:51.
|
|
|
|